Vintage Tedman Ted Company Peak'd Yellow Kiss My Tattoo Reversible Sukajan Anego Singer Panther Embroidered Japanese Bomber Jacket M-L

Rare PYSK-1007 Padded Souvenir Jacket with Tattooed Rock Anego, Angel-and-Devil Swallows, Panther Sleeve Art and Quilted Black Reverse

A blazing collision of Japanese tattoo culture, rock ’n’ roll attitude and classic reversible sukajan construction, this Peak’d Yellow “Kiss My Tattoo” souvenir jacket transforms the commanding anego heroine into full-scale embroidered wearable art.

The principal face pairs a burnt vermilion-red satin body with ivory sleeves, striped knit trim and an extravagantly embroidered singer surrounded by angelic and devilish swallows, tattoo imagery, poetic slogans and a prowling black panther. Reverse the jacket and the visual volume drops into a stealthier black quilted bomber embroidered with the Peak’d Yellow “Funky Wear” identity.

This is the sought-after PYSK-1007 model, archived as a sold-out Peak’d Yellow sukajan and documented by a period retailer as a padded, satin-on-satin reversible release from 2009.

Opening Presence

The back announces itself with enormous gold lettering:

KISS MY TATTOO

Below it stands Peak’d Yellow’s unmistakable tattooed anego, microphone raised as though caught between the final lyric and the opening challenge.

Her blunt black hair, scarlet lips and elaborate tattoo imagery create a character who is neither a conventional geisha nor a passive pin-up. She belongs to Peak’d Yellow’s own invented world of rebellious Japanese heroines: musicians, bikers, fighters and sharp-edged street-culture muses.

Around her, two winged messengers embody opposite impulses.

One carries a halo.
The other carries horns.
Both circle a woman who appears entirely capable of listening to neither.

Identification

Brand

Peak’d Yellow / Peaked Yellow

Peak’d Yellow belongs to the wider Efu Shokai and Ted Company family of Japanese heritage-streetwear labels. Period product documentation describes it as a sister label to Tedman and related Efu Shokai brands, built around an intentionally sharp, eccentric and neo-Asian visual identity.

Model

PYSK-1007

Design Name

Kiss My Tattoo

The period archive records the title as “KISS MY TATOO”, while the jacket itself correctly carries “KISS MY TATTOO” across the embroidered back.

Approximate Period

Circa 2009

A period product entry dated July 2009 identifies PYSK-1007 as a reversible padded satin sukajan and records its original Japanese retail price at ¥24,990 including tax. The official Peak’d Yellow archive now identifies the model as sold out.

Garment Type

Reversible sukajan
Japanese souvenir jacket
Padded satin bomber
Embroidered tour jacket
Wagara streetwear jacket
Rockabilly and biker outerwear
Japanese tattoo-art jacket
Amekaji collector piece

Approximate Fit

M-L

The traditional Japanese sukajan silhouette is comparatively compact through the body, with curved raglan sleeves and a gathered rib-knit waist. Fit will depend on the wearer’s chest, arm length, preferred layering and desired cropped or relaxed silhouette.

The Kiss My Tattoo Back

Tattooed Anego Singer

The center of the primary back is occupied by a poised female vocalist holding an old-school wired microphone.

Her body is covered in intricate monochrome and vermilion tattoo-style artwork, while a black patterned garment and red-orange textile gather around the lower figure. The combination gives the impression of traditional Japanese clothing reimagined through punk fashion, tattoo illustration and nightclub iconography.

The figure’s posture is crucial.

She is not singing delicately into the microphone. She holds it upright like a ceremonial object, weapon or declaration. The gesture gives the entire back design its visual authority.

Above her, “Graceful Japanese Anego” appears in embroidered script.

The Japanese term anego evokes a respected, formidable big-sister figure: confident, independent and socially commanding. Here, that archetype is filtered through tattoo culture and rock performance rather than historical costume.

Gold Kiss My Tattoo Lettering

The enormous gold title arches across the upper back in oversized embroidered lettering.

Its warm metallic color contrasts vividly with the red satin ground, giving the design the marquee-like presence of a vintage concert poster or tattoo-parlor sign.

The words function as both title and challenge.

They turn the decorated body from something hidden into something proudly claimed. The jacket’s message is not quiet appreciation of tattoo art. It is a declaration of ownership, visibility and refusal to apologize.

Angel and Devil Swallows

Two swallow-like birds orbit the singer.

Angel Bird

The pale bird carries a halo and dark wings, visually representing the angelic messenger.

Devil Bird

The opposing bird has a red head, small horns and an impish expression.

Together they create a playful moral duality rather than a solemn religious scene. The accompanying embroidered wording refers to “messages from angels and devils,” suggesting inspiration arriving from both restraint and temptation.

Swallows have long been important within tattoo traditions because of their associations with travel, loyalty, safe return, endurance and life carried across great distances.

Peak’d Yellow twists that familiar symbol by splitting the swallow into opposing personalities. One advises. One tempts. The heroine continues singing between them.

Additional Back Lettering

The back includes the phrases:

Messages from angels and devils

Show me your readiness

Additional decorative words and small starburst forms are scattered across the composition, giving the design the layered energy of flash art, album graphics, embroidered patches and hand-lettered biker clothing.

The result is intentionally crowded but carefully balanced. Every empty space becomes another place for a symbol, phrase or character to speak.

Panther Sleeve Embroidery

One ivory sleeve carries a large black panther framed by curling clouds and decorative linework.

The animal appears in a descending, curved posture, its dark body following the length of the sleeve. This placement allows the design to move whenever the wearer bends or raises the arm.

The black panther is a classic tattoo and rockabilly image associated with aggression, agility, independence and contained danger. Against the ivory satin, it creates one of the jacket’s strongest color contrasts.

The sleeve also carries embroidered text:

The most bankrupt in the world is the person who has lost his enthusiasm.

The phrasing has the wonderfully eccentric quality frequently found on Japanese heritage streetwear: earnest motivational philosophy translated into a graphic slogan and placed beside an animal ready to strike.

Peak’d Yellow Sleeve Details

The opposite sleeve includes additional embroidered branding and wording, including:

Peak Kiss

Small starbursts
Gold script
Decorative line embroidery
Contrasting red details

These secondary elements prevent the ivory sleeves from functioning merely as blank framing. Viewed from the side, the jacket remains richly illustrated.

Front Design

Mirrored Swallows

The front presents two embroidered birds across the chest.

One has the sharper red-and-black devil character, while the opposing bird carries the pale haloed identity.

Each is accompanied by a small embroidered phrase, extending the angel-versus-devil conversation from the back around to the wearer’s chest.

Because the main back design is so visually dense, the paired birds provide an effective front composition: recognizable, graphic and balanced without overwhelming the zipper line.

Color Architecture

The main face uses a distinctly retro palette:

Burnt vermilion
Ivory white
Antique gold
Black
Muted brick red
Cream
Forest green accents
Soft gray detailing

Striped knit trim in cream, rust, green and dark brown completes the vintage sportswear character.

This palette feels warmer and more unusual than the common black-and-white or navy-and-silver sukajan combinations, giving the jacket a distinctive late-2000s Japanese rockabilly presence.

Black Quilted Reverse

The second face changes the jacket completely.

The colorful tattoo tableau disappears beneath a predominantly black satin shell with diamond quilting and pale cream ribbing.

Back Branding

The reverse back carries large embroidered wording:

PEAK’D YELLOW

FUNKY WEAR

You can trust the excellence with high quality materials.

Eccentric clothing

The typography has a handmade, almost chalk-written quality, contrasting strongly with the polished gold lettering of the principal face.

This reverse acts like the jacket’s backstage personality. The red side is theatrical, illustrated and confrontational. The black side is minimal, practical and brand-focused.

Reverse Front

The black quilted front carries a smaller Peak’d Yellow chest logo and matching text.

Diamond quilting extends across the body and sleeves, revealing the padded construction more clearly than the smooth outer face. The cream collar, cuffs and waistband create crisp graphic borders against the black satin.

This is a genuinely wearable second side, not simply an unfinished lining.

Reversible Construction

The jacket is constructed with two complete outer faces joined by a reversible central zipper.

Visible features include:

Two fully wearable satin faces
Padded construction
Diamond quilting on the black face
Raglan sleeves
Reversible metal zipper
Welt pockets on both sides
Striped rib-knit collar
Striped rib-knit cuffs
Striped rib-knit waistband
Large multicolor back embroidery
Sleeve embroidery
Chest embroidery
Contrasting piping and panel construction

The padded structure gives the jacket greater body and seasonal warmth than a lightweight unlined sukajan while preserving the characteristic curved bomber silhouette.

Materials

Period documentation for PYSK-1007 identifies the construction as:

Outer satin: 100% polyester
Reverse and lining: 100% polyester
Padding: 100% polyester
Rib-knit trim: 100% acrylic

The smooth synthetic satin allows the embroidery to remain sharply defined while creating the shifting highlights characteristic of Japanese souvenir jackets.

Embroidery Character

The primary face uses several embroidery techniques and densities.

The central figure combines fine black outlining, filled satin stitching, textured garment patterns and selectively exposed red ground.

The birds use heavy white and black stitching with compact details around the eyes, halos, horns and wings.

The panther relies on a large field of dark thread outlined by pale cloud forms.

Lettering changes according to function:

Large gold fill for the title
Fine cursive script for the slogans
Bold white chain-like stitching for the reverse branding
Small decorative text for sleeve accents

This variety prevents the jacket from appearing like a single flat graphic translated mechanically onto fabric. Each motif has its own texture and visual rhythm.

Period and Cultural Position

PYSK-1007 belongs to a period when Japanese brands were pushing the sukajan beyond reproductions of historical eagle, tiger and map jackets.

Peak’d Yellow retained the traditional reversible bomber architecture but replaced military-tour imagery with a self-created pop universe built from tattooed women, rock singers, motorcycles, guitars, panthers and eccentric English slogans.

The broader sukajan tradition emerged from postwar Yokosuka souvenir culture and later developed into a major Japanese fashion form. The Yokosuka Museum of Art describes sukajan as a Yokosuka original connected with the city’s postwar souvenir shops and continuing global fashion influence.

This Peak’d Yellow example represents a later chapter in that history: the souvenir jacket transformed into modern Japanese character art.

Anego, Wagara and Rockabilly Fusion

The design is culturally hybrid by intention.

Japanese tattoo imagery sits beside Western microphone culture.
Kimono-derived textiles meet a satin bomber silhouette.
Traditional swallows become angel and devil mascots.
A black panther appears beside earnest English philosophy.
The heroine resembles both tattoo muse and punk vocalist.

This fusion is central to Japanese Amekaji, rockabilly, biker and wagara fashion, where imported American silhouettes are rebuilt through Japanese materials, motifs and obsessive decorative detail.

Peak’d Yellow does not attempt historical restraint. The brand enlarges every element until the jacket becomes an animated poster.

Visual Presence

From the back, the jacket reads in stages.

First comes the gold title.
Then the singer.
Then the birds.
Then the tattoos, text, clothing and smaller symbols.

This layered visibility makes the piece especially effective in photography and display. At a distance, it presents a strong red-gold-black composition. At close range, the buyer discovers an entire constellation of stitched details.

The ivory sleeves act like curtains surrounding a vermilion stage.

Reversed, the same garment becomes a nearly monochrome quilted bomber suitable for everyday wear.

Styling

Tattoo Anego Face

The red and ivory side pairs naturally with:

Black denim
Dark selvedge jeans
Leather trousers
Wide-leg workwear pants
Engineer boots
Creepers
High-top sneakers
Plain black T-shirts
Rockabilly shirts
Japanese biker accessories

Because the jacket already carries intense artwork, restrained base layers allow the embroidery to dominate.

Black Quilted Face

The reverse works well with:

Faded jeans
Military trousers
White T-shirts
Black knitwear
Minimal sneakers
Work boots
Monochrome streetwear
Layered Amekaji outfits

The padded black face offers a quieter option while retaining visible Peak’d Yellow identity.

Condition

Vintage pre-owned condition with natural signs of age and wear.

The satin displays expected storage creasing, handling wrinkles and directional sheen. These characteristics change according to lighting and are inherent to smooth souvenir-jacket textiles.

The photographed embroidery remains vivid, dimensional and substantially complete.

Visible vintage character may include:

Light surface rubbing
Minor embroidery fuzzing
Small raised fibers
Gentle rib-knit pilling
Natural puckering around dense embroidery
Softening of the collar, cuffs and waistband
Minor thread irregularities
Age-related creasing
Light tonal variation across satin panels

The large central singer, gold title lettering, birds, sleeve panther and reverse branding remain clearly legible.

The zipper, ribbing, pockets and reversible structure appear present and cohesive in the photographed areas.

No major tears or catastrophic structural damage are visible in the supplied photographs.

Please review every image closely, as the photographs form an essential part of the condition description.

Size and Fit

Approximate Size

M-L

This jacket has a traditional Japanese raglan-cut sukajan silhouette with a gathered waist and comparatively compact body length.

The cut may suit:

A relaxed modern medium
A standard large with moderate layering
A closer large depending on build
A unisex oversized fit on a smaller frame

For the most dependable fit, compare with a similar bomber jacket that already fits comfortably.

Collecting Appeal

This piece combines several qualities increasingly sought by Japanese streetwear collectors:

Documented PYSK-1007 model
Circa-2009 release
Sold-out archive status
Peak’d Yellow branding
Ted Company and Efu Shokai lineage
Kiss My Tattoo series
Tattooed anego singer motif
Angel-and-devil swallow embroidery
Large sleeve panther
Reversible construction
Padded quilted reverse
Distinctive red-and-ivory colorway
Rockabilly and biker crossover
M-L wearable range
Japanese wagara design
Eccentric period English embroidery

It is particularly compelling for collectors who already own conventional tiger, dragon or eagle souvenir jackets and want an unmistakably modern Japanese interpretation.

Why This Jacket Matters

Peak’d Yellow’s best designs occupy a peculiar and memorable corner of Japanese fashion history.

They are neither traditional garments nor straightforward American reproductions. They are highly stylized hybrids built around characters who appear to have stepped from tattoo flash, manga, biker magazines and underground concert posters.

The heroine on this jacket does not represent refinement in the conventional sense.

She represents confidence.
Performance.
Decorated identity.
Contradiction.
The ability to carry both an angel and a devil without surrendering to either.

The reversible construction deepens that theme. One side reveals everything. The other keeps its personality hidden beneath black quilted satin.

Display Potential

Displayed from the red side, the jacket functions like an embroidered concert poster.

The central figure, large title, birds and panther create enough visual density for wall presentation in a fashion archive, tattoo studio, music room, Japanese streetwear collection or rockabilly interior.

Displayed from the reverse, it becomes a graphic study in black satin quilting and hand-drawn typography.

Because the main artwork extends across the back, chest and sleeves, the jacket offers visual interest from every angle.

Care and Preservation

Professional cleaning by a specialist familiar with vintage embroidered satin jackets is recommended.

Do not machine wash, soak, bleach, scrub, wring or tumble dry.

Avoid direct ironing over:

Embroidery
Satin panels
Printed or stitched lettering
Rib-knit trim
Zipper components

Do not apply concentrated steam to the embroidery, as heat and moisture may flatten the threadwork or distort the surrounding satin.

Keep the jacket away from rough bags, exposed hooks, jewelry, abrasive surfaces and hook-and-loop fasteners.

When reversing the garment, support the sleeves and body evenly rather than pulling forcefully through the cuffs.

Store on a broad padded hanger inside a breathable garment cover, protected from direct sunlight, smoke, excessive humidity and long-term compression.

Shipping, Offers and Store Policies

This vintage jacket is offered in its present photographed condition.

Natural textile variation, storage creasing, softened ribbing, minor embroidery character and age-related wear are part of its authentic vintage appearance.

Please review all photographs, condition information and sizing details carefully before purchasing.

Worldwide tracked shipping is available from Japan, normally through Japan Post EMS or another appropriate international tracked service.

The jacket will be carefully folded and protected so the embroidery, satin, zipper, ribbing and reversible surfaces do not rub unnecessarily during transport.

Preparation, shipping and handling normally requires 5-10 business days or earlier.

Tracking information will be supplied after dispatch.

International delivery times may vary according to destination, customs procedures and local postal operations.

Import duties, taxes, customs charges and destination-country fees remain the buyer’s responsibility where applicable.

Reasonable offers may be considered. Some prices remain firmer according to rarity, condition, model, size and collector demand, but respectful proposals are welcome.

The garment is sold as photographed. Returns, exchanges or claims based on accurately disclosed vintage wear, measurements, sizing, creasing, textile variation or age-related characteristics are not ordinarily accepted, subject to Etsy policies, purchase protection and applicable consumer law.

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Material Tags

polyester satin, polyester padding, acrylic rib knit, embroidery thread, metal zipper, quilted satin, woven pocket trim