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Rare CROWS × WORST Rokubujin Dragon Phoenix Reversible Sukajan Jacket L – Kizu Kyosuke & Bouya Harumichi Model

Rare CROWS × WORST Rokubujin Dragon Phoenix Reversible Sukajan Jacket L – Kizu Kyosuke & Bouya Harumichi Model

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Original-Era Regulus × 六無人 Japanese Souvenir Jacket with Black Velveteen, Deep-Blue Satin and Monumental Ryū-Hōō Embroidery

A spectacular original-era CROWS × WORST × Regulus × 六無人 reversible sukajan, created around the celebrated Dragon and Phoenix design associated with Kizu Kyosuke and later officially marketed alongside Bouya Harumichi.

One face presents a luminous deep-blue satin body framed by smoky black sleeves. A serpentine dragon and white phoenix sweep across nearly the entire back in an intricately layered monochrome composition, their bodies meeting in a storm of scales, feathers, claws and curling whiskers. The alternate face shifts into rich black velveteen, where the same celestial pair reappears in warm gold, silver-white, gray and restrained vermilion accents.

The contrast is remarkable.

The blue face feels cool, fluid and atmospheric, almost like moonlight moving over water.

The black velveteen face feels ceremonial and nocturnal, with the dragon glowing in antique gold while the phoenix cuts through the darkness in brilliant white.

The surviving label identifies the maker as 六無人 / Rokubujin and confirms the tagged size as L. Regulus describes 六無人 as its original Japanese-pattern label, responsible for the hand-developed Dragon and Phoenix artwork used for this CROWS collaboration. The design was previewed for reservation in 2016 and publicly announced as arriving in December 2017, placing this example within the original release era rather than the later revival production.


Opening Story

This is the kind of jacket that refuses to be understood from only one side.

Worn in deep blue, it becomes an embroidered sky. A long-scaled dragon curves around a radiant phoenix, their bodies interlocking without losing their individual silhouettes. Cool gray, white and silver thread gives the scene the character of an ink painting transformed into light.

Turn the jacket inside out and the atmosphere changes.

The blue disappears into black velveteen. The dragon becomes gold. The phoenix becomes brighter, almost incandescent, with small red details marking its crest, feathers and eye. The same confrontation now feels older, richer and more theatrical.

From the front, each face remains deliberately asymmetrical. Rather than placing small mirrored symbols on both sides of the zipper, the design allows a single phoenix to spread diagonally from the chest toward the shoulder. It feels less like a conventional jacket badge and more like the edge of a much larger mural continuing around the wearer.

The result is part manga wardrobe, part Japanese textile art and part underground streetwear archive. 🐉🔥


Identification

Collaboration

CROWS × WORST × Regulus × 六無人

Brand Label

六無人 / Rokubujin

The neck label carries the 六無人 characters alongside an illustrated coiled dragon. The design belongs to Regulus’s original wagara label and was developed specifically for the company’s CROWS and WORST fashion projects. Regulus’s own launch material describes the Dragon and Phoenix artwork as a 六無人 design created for the character-model series.

Design Name

龍と鳳凰 / Ryū to Hōō / Dragon and Phoenix

Original Character Association

Kizu Kyosuke / 木津京介

Regulus introduced the artwork as the Kizu Kyosuke-worn Dragon and Phoenix model, noting its association with Kizu’s appearance on the cover of the CROWS New Edition Volume 11.

Additional Official Association

Bouya Harumichi / 坊屋春道

The current official revival is marketed by Regulus as the Kizu Kyosuke and Bouya Harumichi Dragon and Phoenix reversible sukajan, preserving the same fundamental blue-and-black design program.

Tagged Size

L

Approximate Production Era

Original 2016–2017 release period

The design was announced for reservation in August 2016, followed by a Regulus arrival announcement in December 2017. The surviving original 六無人 label, black velveteen face and construction appear consistent with that earlier release rather than the later model-code revival.

Garment Type

Reversible Japanese sukajan
Yokosuka-style souvenir jacket
CROWS and WORST character-model jacket
Embroidered velveteen bomber
Japanese manga streetwear
Wagara collector fashion
Amekaji and biker outerwear
Unisex wearable textile art


Deep-Blue Satin Face

Monumental Dragon and Phoenix Back Embroidery

The deep-blue side is dominated by a vast embroidered confrontation between a dragon and phoenix.

The dragon forms the darker half of the composition. Its long body curves from the upper shoulder, coils through the center and descends toward the opposite lower section of the back. Individual overlapping scales are rendered in gray, charcoal, white and muted silver thread.

Its head emerges near the lower center with:

A long snout
Open jaws
Fine whiskers
Antler-like horns
Layered facial hair
Sharp teeth
Flowing tendrils
Dense linework around the eyes and brow

The phoenix crosses the dragon diagonally in brilliant pale embroidery. Its wings spread through the center, while long tail feathers curl across the back and shoulder.

The bird’s plumage is constructed from repeated rows of carefully directed stitching. Wing feathers, breast feathers and tail plumes are separated clearly, allowing the phoenix to remain readable despite the enormous density of the surrounding dragon.

Neither creature is reduced to a flat symbol.

They occupy the entire back as moving bodies, circling one another in an embroidered vortex.

Cool Monochrome Palette

The principal blue face uses an unusually restrained color language:

Silver-white
Pearl gray
Charcoal
Muted lavender-gray
Pale blue
Black

This gives the artwork a refined, almost metallic appearance. The thread catches light differently from the surrounding satin, making the creatures appear to rise from the blue field.

The limited palette also separates the jacket from more common multicolor dragon sukajan. Its atmosphere is colder, more spectral and more closely connected with monochrome manga illustration.

Deep-Blue Satin Body

The blue body has a fluid, reflective surface that shifts between:

Steel blue
Cerulean
Smoky turquoise
Deep indigo-blue
Pale reflected silver

The tonal changes visible in the photographs are characteristic of lustrous satin viewed from different directions. Ripples in the material create moving bands of light around the embroidery.

Black Raglan Sleeves

Smoky black satin sleeves frame the blue body.

Their darker tone narrows the visual field and directs attention toward the central embroidery. The raglan construction gives the jacket its rounded sukajan shoulder line while allowing the large back design to spread without conventional shoulder seams interrupting it.

Rokubujin Signature Embroidery

The characters 六無人 appear vertically near the lower back.

This signature directly connects the garment with the Rokubujin design label rather than leaving the piece as an anonymous CROWS-inspired jacket.

The pale embroidery is restrained enough not to compete with the dragon and phoenix, but immediately recognizable to Japanese wagara collectors.


Blue-Face Front Composition

Large White Phoenix Chest Embroidery

A substantial phoenix occupies one side of the front.

The bird rises diagonally from the torso toward the shoulder, with:

A sharply defined head
Curving beak
Layered breast feathers
Raised wings
Sweeping tail plumage
Fine gray contour stitching
Small accent details around the face

Unlike conventional mirrored chest embroidery, the design is intentionally unbalanced. One side remains relatively quiet while the phoenix expands across the other.

This asymmetry gives the front a more contemporary and character-driven appearance.

Black-Trimmed Pockets

Two angled hand pockets sit across the lower body.

Dark trim connects the pocket openings with the black sleeves and prevents them from interrupting the blue central field.

Blue and Black Ribbing

The collar, cuffs and waistband are framed with blue and black striped rib-knit trim.

The colors feel fully integrated with the deep-blue body and darker sleeves, completing the cool visual identity of this face.


Black Velveteen Face

Gold Dragon and White Phoenix Back Embroidery

The alternate face reinterprets the same composition in a warmer and more luxurious palette.

The dragon is rendered in antique gold, cream, muted bronze, soft gray and charcoal. Its scales become more visible against the black velveteen, while golden whiskers and facial details give the head greater heat and intensity.

The phoenix remains predominantly white and silver, but small vermilion accents appear around its crest, face and feather details.

Against the deep black background, the creatures no longer feel like pale forms suspended in water. They resemble celestial animals emerging from darkness.

Velveteen Depth

The black face uses a soft pile textile with natural directional sheen.

Depending upon the angle of light, the surface shifts between:

Deep black
Charcoal
Soft graphite
Subtle brown-black highlights
Silvery areas where the nap changes direction

This movement is inherent to velveteen and gives the garment depth even in areas without embroidery.

The combination of luminous thread and dark pile creates a richer visual contrast than ordinary flat satin.

White Phoenix

The phoenix dominates the right side of the composition.

Its body and wings are rendered through extraordinarily dense pale stitching. Fine gray thread separates the layers of plumage, while orange-red accents prevent the bird from disappearing into a single white mass.

The tail feathers stretch outward in several directions, each finishing in heart-like or eye-shaped details.

Golden Dragon

The dragon coils behind and around the phoenix.

Its warm gold body forms a visual counterweight to the bird’s silver-white plumage. The dragon’s face occupies the lower-left portion of the composition, looking upward toward the phoenix with open jaws and flowing whiskers.

The interaction is not presented as a simple fight.

The creatures appear locked in a circular exchange, their bodies creating a nearly complete ring across the back.

Rokubujin Signature

The vertical 六無人 name appears again near the lower edge, confirming that both visual treatments belong to the same design program.


Black-Face Front Composition

White Phoenix Across the Chest and Shoulder

A brilliant white phoenix sweeps across one side of the front.

The bird begins near the upper torso and extends toward the shoulder, using the black velveteen as negative space between its feathers.

Small vermilion details appear around the crest and facial features, creating precise points of color within the otherwise monochrome front.

White Rib-Knit Trim

The black face is completed by pale ivory or white ribbing at the:

Collar
Cuffs
Waistband

This produces a crisp traditional contrast and echoes the phoenix embroidery.

The difference between the two rib treatments contributes to the illusion that these are two separate jackets sharing one structure.


Dragon and Phoenix Iconography

The Dragon

The dragon carries the composition’s serpentine movement.

Its long body allows the embroidery to travel across the entire jacket rather than remaining inside a rectangular back panel. Scales, horns, claws and whiskers communicate force and supernatural authority.

Within the visual language of Japanese wagara fashion, dragons are frequently associated with:

Strength
Endurance
Elemental power
Protection
Transformation
The energy of water and sky

Here, the dragon’s coiling form also creates the circular structure around the phoenix.

The Phoenix

The phoenix introduces elevation and rebirth.

Its wings and tail feathers radiate outward while the dragon’s body turns inward. The contrast produces the jacket’s visual tension.

The phoenix may suggest:

Renewal
Virtue
Grace
Survival
Celestial order
Rising after destruction

These ideas suit the world of CROWS, where characters repeatedly fall, return, form alliances and define themselves through loyalty and resilience.

Dragon and Phoenix Together

When paired, the creatures can be read as complementary forces.

The dragon is weight, coil and elemental movement.

The phoenix is air, flame and expansion.

The dragon is constructed from repeated scales.

The phoenix is constructed from repeated feathers.

The jacket turns these opposing textures into one continuous embroidered rhythm.


CROWS, WORST and the Character Connection

CROWS, created by Hiroshi Takahashi, centers on the fiercely independent Bouya Harumichi and the volatile world surrounding Suzuran High School. Akita Shoten identifies Harumichi as the central figure of the original series, while Kizu Kyosuke receives a dedicated story within Zoku CROWS Gaiden.

The Dragon and Phoenix jacket entered that visual world through Regulus.

Regulus promoted the original artwork as the jacket worn by Kizu Kyosuke in the New Edition Volume 11 cover illustration. The modern revival broadens the official title to include both Kizu Kyosuke and Bouya Harumichi, reflecting the design’s growing association with the wider CROWS collector community.

The offered garment is not represented as an actor-worn costume or production-used prop.

Its importance lies in being an original-era commercial character-model jacket connected with the officially marketed Regulus and Rokubujin collaboration.


Construction and Materials

The jacket combines two different outer textures:

A lustrous deep-blue satin face
A soft black velveteen face

Comparable examples of the original collaboration have been catalogued as using cotton and rayon textiles, while the official revival is specified as 100% rayon. The visible construction of this earlier example is most consistent with a velveteen-style pile face and rayon-satin reverse.

Construction Details

Fully reversible design
Two completely wearable exterior faces
Dense multitone machine embroidery
Black velveteen or velvet-pile face
Deep-blue satin face
Raglan sleeves
Reversible center zipper
Angled hand pockets on both faces
Striped rib-knit collar
Striped rib-knit cuffs
Striped rib-knit waistband
Direct chest and back embroidery
Unpadded or lightly structured silhouette
Japanese-market bomber proportions

Embroidery Technique

The artwork relies upon several stitch directions and densities.

Dragon scales are built through repeated overlapping arcs.

Phoenix feathers use long directional stitches, scalloped layering and fine contour lines.

Whiskers, crests and tail details use narrower thread paths that create motion around the filled areas.

The tonal changes do not depend upon printed shading. They are produced by the color and direction of the thread itself.


Original Release and Later Revival

The Dragon and Phoenix jacket was first promoted by Regulus in 2016 as a Kizu Kyosuke model designed by 六無人. An arrival announcement followed in December 2017.

Regulus subsequently produced a modern revival, model CRJK-2501, now officially sold as the Kizu Kyosuke and Bouya Harumichi model. The revival retails in Japan at ¥41,800 and retains the blue-and-black reversible Dragon and Phoenix concept.

The offered jacket carries the earlier dedicated 六無人 woven label rather than being presented under the newer CRJK-2501 model code.

That original-era labeling is an important detail for collectors seeking the earlier Regulus and Rokubujin production.


Tagged Size and Fit

Tagged Size

L

The size tag is visible beneath the 六無人 label.

This is a Japanese-market large with a compact sukajan silhouette. Depending upon body shape, layering preference and desired fit, it may correspond approximately to:

A fitted Western Medium
A relaxed Western Small
A traditional Japanese Large

This conversion is only a general guide.

Actual flat-lay measurements should always take priority over the letter size.

Please contact us for the latest measurements before purchase.

Recommended comparisons include:

Chest width measured from armpit to armpit
Back length measured from the base of the collar
Hem width across the rib-knit waistband
Sleeve length measured from the center back collar to the cuff

A previously sold original-era size-L example was measured by its seller at approximately 55 cm across the chest, 62 cm in length and 88 cm in center-back-to-cuff sleeve length. These figures are contextual only and should not be treated as measurements of the offered garment.


Pre-Owned Condition

This is a genuine pre-owned Japanese collector jacket.

Based upon the supplied photographs, it appears to remain in very good overall pre-owned condition, with the principal embroidery retaining strong definition and visual impact.

Deep-Blue Satin Face

Visible characteristics include:

Natural satin wrinkling and rippling
Reflective tonal variation
Soft creasing across the body
Minor impressions associated with folding or storage
Possible small thread irregularities within the dense embroidery
Gentle wear around high-contact areas
Natural movement near the waistband and zipper

The dragon and phoenix remain clearly defined. The fine scales, feathers, whiskers and facial details retain substantial thread coverage.

Black Velveteen Face

Visible characteristics include:

Directional variation in the pile
Natural light and dark areas caused by the nap
Soft creasing through the body and sleeves
Minor surface impressions
Gentle shaping from wear and storage
Possible small fibers or lint naturally attracted by dark velveteen

The pile appears rich and visually continuous in the supplied full-garment photographs.

Rib-Knit Trim

The blue-and-black and white trim may display:

Light surface fuzzing
Gentle relaxation
Minor age-related waviness
Subtle handling wear

Embroidery

The embroidery remains the jacket’s strongest feature.

No large missing areas, severe unraveling or major distortion are evident in the photographs. Small projecting threads or localized stitch movement may be present within such complex artwork.

Structure

No obvious large holes, major tears or catastrophic seam failures can be seen in the supplied images.

Please review every photograph carefully. The images form an essential part of the description and provide the clearest representation of the material surfaces, embroidery and current condition.

Because rayon and velveteen can react poorly to water and agitation, professional cleaning by a specialist familiar with reversible embroidered jackets is strongly recommended. Regulus advises professional dry cleaning for its rayon sukajan because of the material’s tendency to shrink when wet.


Styling Possibilities

Deep-Blue Dragon and Phoenix Face

Pair with:

Black straight-leg denim
Faded gray jeans
Dark cargo trousers
Engineer boots
High-top sneakers
Minimal black shirts
Silver accessories
Japanese biker fashion
CROWS-inspired streetwear
Contemporary monochrome layering

The cool blue and gray palette works especially well with black, charcoal and washed indigo.

Black Velveteen Face

Pair with:

Raw selvedge denim
Wide black trousers
Cream T-shirts
Leather boots
Rockabilly clothing
Japanese Amekaji
Visual Kei-inspired styling
Dark tailored trousers
Vintage motorcycle accessories
Simple silver jewelry

The black face is more ceremonial and can move easily between streetwear, rock styling and collector-focused display.


Display and Collecting Appeal

This jacket has exceptional display value because the two faces offer different interpretations of the same artwork.

Displayed with the blue side outward, the piece resembles an enormous monochrome manga illustration moving across water.

Displayed with the black side outward, it becomes a luminous gold-and-white dragon-phoenix panel against velvet darkness.

It belongs naturally within collections focused on:

CROWS and WORST
Hiroshi Takahashi manga fashion
Regulus collaborations
六無人 / Rokubujin
Kizu Kyosuke
Bouya Harumichi
Japanese sukajan
Wagara clothing
Dragon embroidery
Phoenix embroidery
Velveteen souvenir jackets
Japanese streetwear archives
Biker and rock fashion
Wearable textile art

A wide padded hanger is recommended to support the raglan shoulders without stretching the collar.

Direct sunlight, excessive humidity and prolonged compression should be avoided.


Why This Piece Stands Apart

The jacket offers a combination rarely found in ordinary souvenir clothing:

Original 六無人 label
CROWS × WORST character association
Regulus collaboration provenance
Kizu Kyosuke model history
Later Bouya Harumichi association
Original 2016–2017 production-era character
Tagged Japanese size L
Black velveteen exterior
Deep-blue satin alternate face
Two complete embroidery programs
Massive dragon and phoenix artwork
Asymmetrical phoenix chest treatment
Cool monochrome and warm gold colorways
Direct embroidered 六無人 signature
Discontinued earlier production
Current official revival confirming the design’s importance

Most reversible sukajan offer one principal design and one simpler alternative.

This piece offers the same mythical encounter viewed through two different worlds.

One is blue, cold and fluid.

The other is black, golden and nocturnal.

The jacket changes without abandoning its identity.


Purchase, Shipping and Pre-Owned Policy

This is a genuine pre-owned collectible garment offered in its present as-is condition.

Signs of previous wear, storage, satin creasing, velveteen-pile movement, rib relaxation, minor thread variation, surface impressions and other age-appropriate characteristics are inherent to pre-owned embroidered clothing.

Please review all photographs and written details carefully before purchase. The photographs form an essential part of the description and provide the clearest representation of the colors, materials, embroidery and condition.

Color appearance may vary slightly depending upon lighting, screen calibration and the reflective direction of the satin or velveteen pile.

Japanese-market sizing may differ from contemporary Western sizing. Please compare the final flat-lay measurements with a similar jacket that already fits comfortably.

Due to the collectible, pre-owned and internationally shipped nature of this garment, returns, exchanges and claims based upon fit, previously disclosed condition, expected material variation or minor color differences cannot be accepted, subject to applicable Etsy policies and consumer law.

Reasonable and respectful offers may be considered.

The jacket will be carefully protected, folded without unnecessary compression and packed for international transit.

Worldwide shipping is normally provided through Japan Post EMS or another suitable tracked international service where required.

Preparation, shipping and handling normally takes 5–10 business days or earlier. Tracking information will be supplied after dispatch.

Any customs duties, import taxes, local handling fees or destination-country charges remain the responsibility of the buyer.

If you are looking for this design or model in another size, please feel free to message us. Although availability cannot be guaranteed, we may be able to locate the same or a closely matching piece in a different size through our sourcing network.

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Material Tags

black velveteen, blue rayon satin, multitone embroidery thread, rib-knit trim, reversible metal zipper, woven pocketing, satin sleeve panels

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