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Takashi Murakami "Maiko-san Tanzaku", impresión firmada a mano, fondo de pan de oro puro, bijin-ga de Kioto, ED100
Takashi Murakami "Maiko-san Tanzaku", impresión firmada a mano, fondo de pan de oro puro, bijin-ga de Kioto, ED100
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In Maiko-san Tanzaku, Takashi Murakami turns to a living Kyoto tradition, setting a stylized maiko within the slender vertical tanzaku format against a grid of hand-applied pure gold leaf. Hand-signed and issued in an edition of 100, it is one of the artist's most deliberate returns to Japanese cultural archetypes.
The Piece
The subject is not treated as nostalgic illustration. The maiko is re-engineered within Murakami's system of stylization, with simplified features, controlled symmetry and a deliberate flattening of emotional expression. Unlike the Flower works, the composition carries cultural weight, referring to a living tradition tied to Kyoto, performance and apprenticeship.
The figure stands in vertical isolation, echoing the tanzaku, the narrow paper strip historically used for poetry and seasonal verse, a format that signals refinement and restraint. Her kimono, rendered in saturated blue with sakura motifs, anchors the image in seasonal symbolism: cherry blossoms for impermanence, the flowing garment for the continuity of tradition. The face follows the pattern system Murakami has publicly analyzed, with enlarged eyes, minimal emotional variance and hyper-clean contour lines, producing a constructed cultural avatar that is neither traditional bijin-ga nor fully contemporary character.
The background lifts the work beyond standard print hierarchy. In place of flat color, Murakami uses pure gold leaf applied by a hand-pressed method, in two gold tonalities, 三歩色 (sanbu-iro) and 五毛色 (gomō-iro). The subtle difference between them creates spatial layering, an illusion of depth within flatness and movement across the surface, and unlike digitally simulated gold the leaf responds physically to lighting angle, viewing position and surroundings.
Murakami intersects here with the bijin-ga lineage of portraits of beautiful women, with Kyoto geiko and maiko culture and with Edo-period vertical formats, abstracting rather than replicating them. The gold-leaf grid alludes to folding screens and decorative panels, bridging classical Japanese interiors and contemporary gallery presentation, in keeping with his collapse of high and low, past and present, craft and mass production.
Details
- Artist: Takashi Murakami
- Title: Maiko-san Tanzaku
- Subject: Kyoto maiko in blue kimono with sakura motifs
- Format: Vertical tanzaku format
- Medium: Editioned print with hand-pressed pure gold leaf background in two tonalities (三歩色 and 五毛色)
- Edition: ED.100
- Signature: Hand-signed
Condition
Condition is documented in detail across the photographs.
Authenticity & Care
Hand-signed Takashi Murakami print from the edition of 100, with hand-pressed pure gold leaf background. Every piece is examined and documented in Japan before dispatch and is offered with the Japonista authenticity guarantee.
Delivery from Japan
Packed by hand in Japan and shipped insured and tracked by EMS or an equivalent express service. Import duties and taxes, where applicable, are payable on arrival. Returns follow our published policy.
Considered offers are welcome through Send an Offer, and each one is reviewed personally. Pieces over $1,000 may be reserved over several payments with Layaway Privilege™.
Continue browsing: Takashi Murakami
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Collectors also search: murakami maiko-san tanzaku · takashi murakami maiko print · murakami gold leaf print · murakami tanzaku signed · murakami kyoto maiko · murakami bijin-ga print
