Jizo Bosatsu japonés de madera tallada, sentado sobre un pedestal de loto con halo radiante, finales del siglo XX, 30 cm

At home-altar scale, this seated Jizo Bosatsu belongs to the lived Buddhism of the household rather than the temple hall. Carved in a late twentieth-century workshop, it holds the monk's staff and wish-granting jewel beneath a sunburst halo, a portable and intimate devotional figure in clean, intact condition.

The Piece

Jizo Bosatsu (Kshitigarbha), the bodhisattva who guides travelers, children and souls between worlds, is shown here seated in lotus posture with the shaven head of a monk, the khakkhara staff in the right hand and the cintamani jewel in the left. A separate mandorla with radiating spokes rises behind the figure, a stylized sunburst that is more decorative than a strict classical halo.

The lotus base is carved with multi-tiered petals of symmetrical, mechanical precision and rests on an octagonal plinth with a carved geometric band. The facial expression is neutral, soft and non-aggressive. The carving style, with sharp lines that are not deeply undercut, points to machine-assisted or late-period workshop production rather than the hand-chisel irregularity typical of Edo temple commissions, likely between the 1970s and 2000s.

At about 30 cm the figure is home-altar size: portable, domestic and intimate. It belongs to the category of domestic devotional craft made for household altars, an everyday form of Buddhist practice that collectors increasingly value as cultural anthropology alongside temple-grade antiques.

Details

• Subject: Jizo Bosatsu (Kshitigarbha), seated
• Era: Late 20th century workshop production (possibly 1970s–2000s)
• Origin: Japan
• Material: Carved wood, light-toned; likely a cypress substitute or a more economical softwood
• Construction: Separate mandorla halo with radiating spokes; lotus pedestal over octagonal plinth
• Measurements: Height ~30–32 cm including halo
• Attributes: Shaven monk head; khakkhara staff in right hand; cintamani jewel in left

Condition

• No noticeable major damage.
• Halo spokes intact; no visible cracks.
• Lotus petals undamaged; finish clean.

Authenticity & Care

A late twentieth-century domestic workshop carving, offered as such rather than as an Edo-period temple work. Every piece is examined and documented in Japan before dispatch and is offered with the Japonista authenticity guarantee.

Delivery from Japan

Packed by hand in Japan and shipped insured and tracked by EMS or an equivalent express service. Import duties and taxes, where applicable, are payable on arrival. Returns follow our published policy.

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