{"product_id":"rare-crows-worst-rokubujin-dragon-phoenix-reversible-sukajan-jacket-l-kizu-kyosuke-bouya-harumichi-model","title":"Rare CROWS × WORST Rokubujin Dragon Phoenix Reversible Sukajan Jacket L – Kizu Kyosuke \u0026 Bouya Harumichi Model","description":"\u003ch2\u003eOriginal-Era Regulus × 六無人 Japanese Souvenir Jacket with Black Velveteen, Deep-Blue Satin and Monumental Ryū-Hōō Embroidery\u003c\/h2\u003e\n\u003cp\u003eA spectacular original-era \u003cstrong\u003eCROWS × WORST × Regulus × 六無人 reversible sukajan\u003c\/strong\u003e, created around the celebrated \u003cstrong\u003eDragon and Phoenix\u003c\/strong\u003e design associated with \u003cstrong\u003eKizu Kyosuke\u003c\/strong\u003e and later officially marketed alongside \u003cstrong\u003eBouya Harumichi\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOne face presents a luminous deep-blue satin body framed by smoky black sleeves. A serpentine dragon and white phoenix sweep across nearly the entire back in an intricately layered monochrome composition, their bodies meeting in a storm of scales, feathers, claws and curling whiskers. The alternate face shifts into rich black velveteen, where the same celestial pair reappears in warm gold, silver-white, gray and restrained vermilion accents.\u003c\/p\u003e\n\u003cp\u003eThe contrast is remarkable.\u003c\/p\u003e\n\u003cp\u003eThe blue face feels cool, fluid and atmospheric, almost like moonlight moving over water.\u003c\/p\u003e\n\u003cp\u003eThe black velveteen face feels ceremonial and nocturnal, with the dragon glowing in antique gold while the phoenix cuts through the darkness in brilliant white.\u003c\/p\u003e\n\u003cp\u003eThe surviving label identifies the maker as \u003cstrong\u003e六無人 \/ Rokubujin\u003c\/strong\u003e and confirms the tagged size as \u003cstrong\u003eL\u003c\/strong\u003e. Regulus describes 六無人 as its original Japanese-pattern label, responsible for the hand-developed Dragon and Phoenix artwork used for this CROWS collaboration. The design was previewed for reservation in 2016 and publicly announced as arriving in December 2017, placing this example within the original release era rather than the later revival production. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eOpening Story\u003c\/h2\u003e\n\u003cp\u003eThis is the kind of jacket that refuses to be understood from only one side.\u003c\/p\u003e\n\u003cp\u003eWorn in deep blue, it becomes an embroidered sky. A long-scaled dragon curves around a radiant phoenix, their bodies interlocking without losing their individual silhouettes. Cool gray, white and silver thread gives the scene the character of an ink painting transformed into light.\u003c\/p\u003e\n\u003cp\u003eTurn the jacket inside out and the atmosphere changes.\u003c\/p\u003e\n\u003cp\u003eThe blue disappears into black velveteen. The dragon becomes gold. The phoenix becomes brighter, almost incandescent, with small red details marking its crest, feathers and eye. The same confrontation now feels older, richer and more theatrical.\u003c\/p\u003e\n\u003cp\u003eFrom the front, each face remains deliberately asymmetrical. Rather than placing small mirrored symbols on both sides of the zipper, the design allows a single phoenix to spread diagonally from the chest toward the shoulder. It feels less like a conventional jacket badge and more like the edge of a much larger mural continuing around the wearer.\u003c\/p\u003e\n\u003cp\u003eThe result is part manga wardrobe, part Japanese textile art and part underground streetwear archive. 🐉🔥\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eIdentification\u003c\/h2\u003e\n\u003ch3\u003eCollaboration\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCROWS × WORST × Regulus × 六無人\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eBrand Label\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e六無人 \/ Rokubujin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe neck label carries the 六無人 characters alongside an illustrated coiled dragon. The design belongs to Regulus’s original wagara label and was developed specifically for the company’s CROWS and WORST fashion projects. Regulus’s own launch material describes the Dragon and Phoenix artwork as a 六無人 design created for the character-model series. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDesign Name\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e龍と鳳凰 \/ Ryū to Hōō \/ Dragon and Phoenix\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eOriginal Character Association\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKizu Kyosuke \/ 木津京介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRegulus introduced the artwork as the \u003cstrong\u003eKizu Kyosuke-worn Dragon and Phoenix model\u003c\/strong\u003e, noting its association with Kizu’s appearance on the cover of the \u003cem\u003eCROWS\u003c\/em\u003e New Edition Volume 11. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eAdditional Official Association\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBouya Harumichi \/ 坊屋春道\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe current official revival is marketed by Regulus as the \u003cstrong\u003eKizu Kyosuke and Bouya Harumichi Dragon and Phoenix reversible sukajan\u003c\/strong\u003e, preserving the same fundamental blue-and-black design program. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eTagged Size\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eApproximate Production Era\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal 2016–2017 release period\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe design was announced for reservation in August 2016, followed by a Regulus arrival announcement in December 2017. The surviving original 六無人 label, black velveteen face and construction appear consistent with that earlier release rather than the later model-code revival. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eGarment Type\u003c\/h3\u003e\n\u003cp\u003eReversible Japanese sukajan\u003cbr\u003eYokosuka-style souvenir jacket\u003cbr\u003eCROWS and WORST character-model jacket\u003cbr\u003eEmbroidered velveteen bomber\u003cbr\u003eJapanese manga streetwear\u003cbr\u003eWagara collector fashion\u003cbr\u003eAmekaji and biker outerwear\u003cbr\u003eUnisex wearable textile art\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eDeep-Blue Satin Face\u003c\/h1\u003e\n\u003ch2\u003eMonumental Dragon and Phoenix Back Embroidery\u003c\/h2\u003e\n\u003cp\u003eThe deep-blue side is dominated by a vast embroidered confrontation between a dragon and phoenix.\u003c\/p\u003e\n\u003cp\u003eThe dragon forms the darker half of the composition. Its long body curves from the upper shoulder, coils through the center and descends toward the opposite lower section of the back. Individual overlapping scales are rendered in gray, charcoal, white and muted silver thread.\u003c\/p\u003e\n\u003cp\u003eIts head emerges near the lower center with:\u003c\/p\u003e\n\u003cp\u003eA long snout\u003cbr\u003eOpen jaws\u003cbr\u003eFine whiskers\u003cbr\u003eAntler-like horns\u003cbr\u003eLayered facial hair\u003cbr\u003eSharp teeth\u003cbr\u003eFlowing tendrils\u003cbr\u003eDense linework around the eyes and brow\u003c\/p\u003e\n\u003cp\u003eThe phoenix crosses the dragon diagonally in brilliant pale embroidery. Its wings spread through the center, while long tail feathers curl across the back and shoulder.\u003c\/p\u003e\n\u003cp\u003eThe bird’s plumage is constructed from repeated rows of carefully directed stitching. Wing feathers, breast feathers and tail plumes are separated clearly, allowing the phoenix to remain readable despite the enormous density of the surrounding dragon.\u003c\/p\u003e\n\u003cp\u003eNeither creature is reduced to a flat symbol.\u003c\/p\u003e\n\u003cp\u003eThey occupy the entire back as moving bodies, circling one another in an embroidered vortex.\u003c\/p\u003e\n\u003ch2\u003eCool Monochrome Palette\u003c\/h2\u003e\n\u003cp\u003eThe principal blue face uses an unusually restrained color language:\u003c\/p\u003e\n\u003cp\u003eSilver-white\u003cbr\u003ePearl gray\u003cbr\u003eCharcoal\u003cbr\u003eMuted lavender-gray\u003cbr\u003ePale blue\u003cbr\u003eBlack\u003c\/p\u003e\n\u003cp\u003eThis gives the artwork a refined, almost metallic appearance. The thread catches light differently from the surrounding satin, making the creatures appear to rise from the blue field.\u003c\/p\u003e\n\u003cp\u003eThe limited palette also separates the jacket from more common multicolor dragon sukajan. Its atmosphere is colder, more spectral and more closely connected with monochrome manga illustration.\u003c\/p\u003e\n\u003ch2\u003eDeep-Blue Satin Body\u003c\/h2\u003e\n\u003cp\u003eThe blue body has a fluid, reflective surface that shifts between:\u003c\/p\u003e\n\u003cp\u003eSteel blue\u003cbr\u003eCerulean\u003cbr\u003eSmoky turquoise\u003cbr\u003eDeep indigo-blue\u003cbr\u003ePale reflected silver\u003c\/p\u003e\n\u003cp\u003eThe tonal changes visible in the photographs are characteristic of lustrous satin viewed from different directions. Ripples in the material create moving bands of light around the embroidery.\u003c\/p\u003e\n\u003ch2\u003eBlack Raglan Sleeves\u003c\/h2\u003e\n\u003cp\u003eSmoky black satin sleeves frame the blue body.\u003c\/p\u003e\n\u003cp\u003eTheir darker tone narrows the visual field and directs attention toward the central embroidery. The raglan construction gives the jacket its rounded sukajan shoulder line while allowing the large back design to spread without conventional shoulder seams interrupting it.\u003c\/p\u003e\n\u003ch2\u003eRokubujin Signature Embroidery\u003c\/h2\u003e\n\u003cp\u003eThe characters \u003cstrong\u003e六無人\u003c\/strong\u003e appear vertically near the lower back.\u003c\/p\u003e\n\u003cp\u003eThis signature directly connects the garment with the Rokubujin design label rather than leaving the piece as an anonymous CROWS-inspired jacket.\u003c\/p\u003e\n\u003cp\u003eThe pale embroidery is restrained enough not to compete with the dragon and phoenix, but immediately recognizable to Japanese wagara collectors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eBlue-Face Front Composition\u003c\/h1\u003e\n\u003ch2\u003eLarge White Phoenix Chest Embroidery\u003c\/h2\u003e\n\u003cp\u003eA substantial phoenix occupies one side of the front.\u003c\/p\u003e\n\u003cp\u003eThe bird rises diagonally from the torso toward the shoulder, with:\u003c\/p\u003e\n\u003cp\u003eA sharply defined head\u003cbr\u003eCurving beak\u003cbr\u003eLayered breast feathers\u003cbr\u003eRaised wings\u003cbr\u003eSweeping tail plumage\u003cbr\u003eFine gray contour stitching\u003cbr\u003eSmall accent details around the face\u003c\/p\u003e\n\u003cp\u003eUnlike conventional mirrored chest embroidery, the design is intentionally unbalanced. One side remains relatively quiet while the phoenix expands across the other.\u003c\/p\u003e\n\u003cp\u003eThis asymmetry gives the front a more contemporary and character-driven appearance.\u003c\/p\u003e\n\u003ch2\u003eBlack-Trimmed Pockets\u003c\/h2\u003e\n\u003cp\u003eTwo angled hand pockets sit across the lower body.\u003c\/p\u003e\n\u003cp\u003eDark trim connects the pocket openings with the black sleeves and prevents them from interrupting the blue central field.\u003c\/p\u003e\n\u003ch2\u003eBlue and Black Ribbing\u003c\/h2\u003e\n\u003cp\u003eThe collar, cuffs and waistband are framed with blue and black striped rib-knit trim.\u003c\/p\u003e\n\u003cp\u003eThe colors feel fully integrated with the deep-blue body and darker sleeves, completing the cool visual identity of this face.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eBlack Velveteen Face\u003c\/h1\u003e\n\u003ch2\u003eGold Dragon and White Phoenix Back Embroidery\u003c\/h2\u003e\n\u003cp\u003eThe alternate face reinterprets the same composition in a warmer and more luxurious palette.\u003c\/p\u003e\n\u003cp\u003eThe dragon is rendered in antique gold, cream, muted bronze, soft gray and charcoal. Its scales become more visible against the black velveteen, while golden whiskers and facial details give the head greater heat and intensity.\u003c\/p\u003e\n\u003cp\u003eThe phoenix remains predominantly white and silver, but small vermilion accents appear around its crest, face and feather details.\u003c\/p\u003e\n\u003cp\u003eAgainst the deep black background, the creatures no longer feel like pale forms suspended in water. They resemble celestial animals emerging from darkness.\u003c\/p\u003e\n\u003ch2\u003eVelveteen Depth\u003c\/h2\u003e\n\u003cp\u003eThe black face uses a soft pile textile with natural directional sheen.\u003c\/p\u003e\n\u003cp\u003eDepending upon the angle of light, the surface shifts between:\u003c\/p\u003e\n\u003cp\u003eDeep black\u003cbr\u003eCharcoal\u003cbr\u003eSoft graphite\u003cbr\u003eSubtle brown-black highlights\u003cbr\u003eSilvery areas where the nap changes direction\u003c\/p\u003e\n\u003cp\u003eThis movement is inherent to velveteen and gives the garment depth even in areas without embroidery.\u003c\/p\u003e\n\u003cp\u003eThe combination of luminous thread and dark pile creates a richer visual contrast than ordinary flat satin.\u003c\/p\u003e\n\u003ch2\u003eWhite Phoenix\u003c\/h2\u003e\n\u003cp\u003eThe phoenix dominates the right side of the composition.\u003c\/p\u003e\n\u003cp\u003eIts body and wings are rendered through extraordinarily dense pale stitching. Fine gray thread separates the layers of plumage, while orange-red accents prevent the bird from disappearing into a single white mass.\u003c\/p\u003e\n\u003cp\u003eThe tail feathers stretch outward in several directions, each finishing in heart-like or eye-shaped details.\u003c\/p\u003e\n\u003ch2\u003eGolden Dragon\u003c\/h2\u003e\n\u003cp\u003eThe dragon coils behind and around the phoenix.\u003c\/p\u003e\n\u003cp\u003eIts warm gold body forms a visual counterweight to the bird’s silver-white plumage. The dragon’s face occupies the lower-left portion of the composition, looking upward toward the phoenix with open jaws and flowing whiskers.\u003c\/p\u003e\n\u003cp\u003eThe interaction is not presented as a simple fight.\u003c\/p\u003e\n\u003cp\u003eThe creatures appear locked in a circular exchange, their bodies creating a nearly complete ring across the back.\u003c\/p\u003e\n\u003ch2\u003eRokubujin Signature\u003c\/h2\u003e\n\u003cp\u003eThe vertical \u003cstrong\u003e六無人\u003c\/strong\u003e name appears again near the lower edge, confirming that both visual treatments belong to the same design program.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eBlack-Face Front Composition\u003c\/h1\u003e\n\u003ch2\u003eWhite Phoenix Across the Chest and Shoulder\u003c\/h2\u003e\n\u003cp\u003eA brilliant white phoenix sweeps across one side of the front.\u003c\/p\u003e\n\u003cp\u003eThe bird begins near the upper torso and extends toward the shoulder, using the black velveteen as negative space between its feathers.\u003c\/p\u003e\n\u003cp\u003eSmall vermilion details appear around the crest and facial features, creating precise points of color within the otherwise monochrome front.\u003c\/p\u003e\n\u003ch2\u003eWhite Rib-Knit Trim\u003c\/h2\u003e\n\u003cp\u003eThe black face is completed by pale ivory or white ribbing at the:\u003c\/p\u003e\n\u003cp\u003eCollar\u003cbr\u003eCuffs\u003cbr\u003eWaistband\u003c\/p\u003e\n\u003cp\u003eThis produces a crisp traditional contrast and echoes the phoenix embroidery.\u003c\/p\u003e\n\u003cp\u003eThe difference between the two rib treatments contributes to the illusion that these are two separate jackets sharing one structure.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eDragon and Phoenix Iconography\u003c\/h1\u003e\n\u003ch2\u003eThe Dragon\u003c\/h2\u003e\n\u003cp\u003eThe dragon carries the composition’s serpentine movement.\u003c\/p\u003e\n\u003cp\u003eIts long body allows the embroidery to travel across the entire jacket rather than remaining inside a rectangular back panel. Scales, horns, claws and whiskers communicate force and supernatural authority.\u003c\/p\u003e\n\u003cp\u003eWithin the visual language of Japanese wagara fashion, dragons are frequently associated with:\u003c\/p\u003e\n\u003cp\u003eStrength\u003cbr\u003eEndurance\u003cbr\u003eElemental power\u003cbr\u003eProtection\u003cbr\u003eTransformation\u003cbr\u003eThe energy of water and sky\u003c\/p\u003e\n\u003cp\u003eHere, the dragon’s coiling form also creates the circular structure around the phoenix.\u003c\/p\u003e\n\u003ch2\u003eThe Phoenix\u003c\/h2\u003e\n\u003cp\u003eThe phoenix introduces elevation and rebirth.\u003c\/p\u003e\n\u003cp\u003eIts wings and tail feathers radiate outward while the dragon’s body turns inward. The contrast produces the jacket’s visual tension.\u003c\/p\u003e\n\u003cp\u003eThe phoenix may suggest:\u003c\/p\u003e\n\u003cp\u003eRenewal\u003cbr\u003eVirtue\u003cbr\u003eGrace\u003cbr\u003eSurvival\u003cbr\u003eCelestial order\u003cbr\u003eRising after destruction\u003c\/p\u003e\n\u003cp\u003eThese ideas suit the world of \u003cem\u003eCROWS\u003c\/em\u003e, where characters repeatedly fall, return, form alliances and define themselves through loyalty and resilience.\u003c\/p\u003e\n\u003ch2\u003eDragon and Phoenix Together\u003c\/h2\u003e\n\u003cp\u003eWhen paired, the creatures can be read as complementary forces.\u003c\/p\u003e\n\u003cp\u003eThe dragon is weight, coil and elemental movement.\u003c\/p\u003e\n\u003cp\u003eThe phoenix is air, flame and expansion.\u003c\/p\u003e\n\u003cp\u003eThe dragon is constructed from repeated scales.\u003c\/p\u003e\n\u003cp\u003eThe phoenix is constructed from repeated feathers.\u003c\/p\u003e\n\u003cp\u003eThe jacket turns these opposing textures into one continuous embroidered rhythm.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eCROWS, WORST and the Character Connection\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003eCROWS\u003c\/em\u003e, created by Hiroshi Takahashi, centers on the fiercely independent Bouya Harumichi and the volatile world surrounding Suzuran High School. Akita Shoten identifies Harumichi as the central figure of the original series, while Kizu Kyosuke receives a dedicated story within \u003cem\u003eZoku CROWS Gaiden\u003c\/em\u003e. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dragon and Phoenix jacket entered that visual world through Regulus.\u003c\/p\u003e\n\u003cp\u003eRegulus promoted the original artwork as the jacket worn by Kizu Kyosuke in the New Edition Volume 11 cover illustration. The modern revival broadens the official title to include both Kizu Kyosuke and Bouya Harumichi, reflecting the design’s growing association with the wider CROWS collector community. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe offered garment is not represented as an actor-worn costume or production-used prop.\u003c\/p\u003e\n\u003cp\u003eIts importance lies in being an original-era commercial character-model jacket connected with the officially marketed Regulus and Rokubujin collaboration.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eConstruction and Materials\u003c\/h1\u003e\n\u003cp\u003eThe jacket combines two different outer textures:\u003c\/p\u003e\n\u003cp\u003eA lustrous deep-blue satin face\u003cbr\u003eA soft black velveteen face\u003c\/p\u003e\n\u003cp\u003eComparable examples of the original collaboration have been catalogued as using cotton and rayon textiles, while the official revival is specified as 100% rayon. The visible construction of this earlier example is most consistent with a velveteen-style pile face and rayon-satin reverse. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eConstruction Details\u003c\/h3\u003e\n\u003cp\u003eFully reversible design\u003cbr\u003eTwo completely wearable exterior faces\u003cbr\u003eDense multitone machine embroidery\u003cbr\u003eBlack velveteen or velvet-pile face\u003cbr\u003eDeep-blue satin face\u003cbr\u003eRaglan sleeves\u003cbr\u003eReversible center zipper\u003cbr\u003eAngled hand pockets on both faces\u003cbr\u003eStriped rib-knit collar\u003cbr\u003eStriped rib-knit cuffs\u003cbr\u003eStriped rib-knit waistband\u003cbr\u003eDirect chest and back embroidery\u003cbr\u003eUnpadded or lightly structured silhouette\u003cbr\u003eJapanese-market bomber proportions\u003c\/p\u003e\n\u003ch3\u003eEmbroidery Technique\u003c\/h3\u003e\n\u003cp\u003eThe artwork relies upon several stitch directions and densities.\u003c\/p\u003e\n\u003cp\u003eDragon scales are built through repeated overlapping arcs.\u003c\/p\u003e\n\u003cp\u003ePhoenix feathers use long directional stitches, scalloped layering and fine contour lines.\u003c\/p\u003e\n\u003cp\u003eWhiskers, crests and tail details use narrower thread paths that create motion around the filled areas.\u003c\/p\u003e\n\u003cp\u003eThe tonal changes do not depend upon printed shading. They are produced by the color and direction of the thread itself.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eOriginal Release and Later Revival\u003c\/h1\u003e\n\u003cp\u003eThe Dragon and Phoenix jacket was first promoted by Regulus in 2016 as a Kizu Kyosuke model designed by 六無人. An arrival announcement followed in December 2017. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRegulus subsequently produced a modern revival, model \u003cstrong\u003eCRJK-2501\u003c\/strong\u003e, now officially sold as the Kizu Kyosuke and Bouya Harumichi model. The revival retails in Japan at ¥41,800 and retains the blue-and-black reversible Dragon and Phoenix concept. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe offered jacket carries the earlier dedicated 六無人 woven label rather than being presented under the newer CRJK-2501 model code.\u003c\/p\u003e\n\u003cp\u003eThat original-era labeling is an important detail for collectors seeking the earlier Regulus and Rokubujin production.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eTagged Size and Fit\u003c\/h1\u003e\n\u003ch2\u003eTagged Size\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe size tag is visible beneath the 六無人 label.\u003c\/p\u003e\n\u003cp\u003eThis is a Japanese-market large with a compact sukajan silhouette. Depending upon body shape, layering preference and desired fit, it may correspond approximately to:\u003c\/p\u003e\n\u003cp\u003eA fitted Western Medium\u003cbr\u003eA relaxed Western Small\u003cbr\u003eA traditional Japanese Large\u003c\/p\u003e\n\u003cp\u003eThis conversion is only a general guide.\u003c\/p\u003e\n\u003cp\u003eActual flat-lay measurements should always take priority over the letter size.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for the latest measurements before purchase.\u003c\/p\u003e\n\u003cp\u003eRecommended comparisons include:\u003c\/p\u003e\n\u003cp\u003eChest width measured from armpit to armpit\u003cbr\u003eBack length measured from the base of the collar\u003cbr\u003eHem width across the rib-knit waistband\u003cbr\u003eSleeve length measured from the center back collar to the cuff\u003c\/p\u003e\n\u003cp\u003eA previously sold original-era size-L example was measured by its seller at approximately 55 cm across the chest, 62 cm in length and 88 cm in center-back-to-cuff sleeve length. These figures are contextual only and should not be treated as measurements of the offered garment. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003ePre-Owned Condition\u003c\/h1\u003e\n\u003cp\u003eThis is a genuine pre-owned Japanese collector jacket.\u003c\/p\u003e\n\u003cp\u003eBased upon the supplied photographs, it appears to remain in \u003cstrong\u003every good overall pre-owned condition\u003c\/strong\u003e, with the principal embroidery retaining strong definition and visual impact.\u003c\/p\u003e\n\u003ch2\u003eDeep-Blue Satin Face\u003c\/h2\u003e\n\u003cp\u003eVisible characteristics include:\u003c\/p\u003e\n\u003cp\u003eNatural satin wrinkling and rippling\u003cbr\u003eReflective tonal variation\u003cbr\u003eSoft creasing across the body\u003cbr\u003eMinor impressions associated with folding or storage\u003cbr\u003ePossible small thread irregularities within the dense embroidery\u003cbr\u003eGentle wear around high-contact areas\u003cbr\u003eNatural movement near the waistband and zipper\u003c\/p\u003e\n\u003cp\u003eThe dragon and phoenix remain clearly defined. The fine scales, feathers, whiskers and facial details retain substantial thread coverage.\u003c\/p\u003e\n\u003ch2\u003eBlack Velveteen Face\u003c\/h2\u003e\n\u003cp\u003eVisible characteristics include:\u003c\/p\u003e\n\u003cp\u003eDirectional variation in the pile\u003cbr\u003eNatural light and dark areas caused by the nap\u003cbr\u003eSoft creasing through the body and sleeves\u003cbr\u003eMinor surface impressions\u003cbr\u003eGentle shaping from wear and storage\u003cbr\u003ePossible small fibers or lint naturally attracted by dark velveteen\u003c\/p\u003e\n\u003cp\u003eThe pile appears rich and visually continuous in the supplied full-garment photographs.\u003c\/p\u003e\n\u003ch2\u003eRib-Knit Trim\u003c\/h2\u003e\n\u003cp\u003eThe blue-and-black and white trim may display:\u003c\/p\u003e\n\u003cp\u003eLight surface fuzzing\u003cbr\u003eGentle relaxation\u003cbr\u003eMinor age-related waviness\u003cbr\u003eSubtle handling wear\u003c\/p\u003e\n\u003ch2\u003eEmbroidery\u003c\/h2\u003e\n\u003cp\u003eThe embroidery remains the jacket’s strongest feature.\u003c\/p\u003e\n\u003cp\u003eNo large missing areas, severe unraveling or major distortion are evident in the photographs. Small projecting threads or localized stitch movement may be present within such complex artwork.\u003c\/p\u003e\n\u003ch2\u003eStructure\u003c\/h2\u003e\n\u003cp\u003eNo obvious large holes, major tears or catastrophic seam failures can be seen in the supplied images.\u003c\/p\u003e\n\u003cp\u003ePlease review every photograph carefully. The images form an essential part of the description and provide the clearest representation of the material surfaces, embroidery and current condition.\u003c\/p\u003e\n\u003cp\u003eBecause rayon and velveteen can react poorly to water and agitation, professional cleaning by a specialist familiar with reversible embroidered jackets is strongly recommended. Regulus advises professional dry cleaning for its rayon sukajan because of the material’s tendency to shrink when wet. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eStyling Possibilities\u003c\/h1\u003e\n\u003ch2\u003eDeep-Blue Dragon and Phoenix Face\u003c\/h2\u003e\n\u003cp\u003ePair with:\u003c\/p\u003e\n\u003cp\u003eBlack straight-leg denim\u003cbr\u003eFaded gray jeans\u003cbr\u003eDark cargo trousers\u003cbr\u003eEngineer boots\u003cbr\u003eHigh-top sneakers\u003cbr\u003eMinimal black shirts\u003cbr\u003eSilver accessories\u003cbr\u003eJapanese biker fashion\u003cbr\u003eCROWS-inspired streetwear\u003cbr\u003eContemporary monochrome layering\u003c\/p\u003e\n\u003cp\u003eThe cool blue and gray palette works especially well with black, charcoal and washed indigo.\u003c\/p\u003e\n\u003ch2\u003eBlack Velveteen Face\u003c\/h2\u003e\n\u003cp\u003ePair with:\u003c\/p\u003e\n\u003cp\u003eRaw selvedge denim\u003cbr\u003eWide black trousers\u003cbr\u003eCream T-shirts\u003cbr\u003eLeather boots\u003cbr\u003eRockabilly clothing\u003cbr\u003eJapanese Amekaji\u003cbr\u003eVisual Kei-inspired styling\u003cbr\u003eDark tailored trousers\u003cbr\u003eVintage motorcycle accessories\u003cbr\u003eSimple silver jewelry\u003c\/p\u003e\n\u003cp\u003eThe black face is more ceremonial and can move easily between streetwear, rock styling and collector-focused display.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eDisplay and Collecting Appeal\u003c\/h1\u003e\n\u003cp\u003eThis jacket has exceptional display value because the two faces offer different interpretations of the same artwork.\u003c\/p\u003e\n\u003cp\u003eDisplayed with the blue side outward, the piece resembles an enormous monochrome manga illustration moving across water.\u003c\/p\u003e\n\u003cp\u003eDisplayed with the black side outward, it becomes a luminous gold-and-white dragon-phoenix panel against velvet darkness.\u003c\/p\u003e\n\u003cp\u003eIt belongs naturally within collections focused on:\u003c\/p\u003e\n\u003cp\u003eCROWS and WORST\u003cbr\u003eHiroshi Takahashi manga fashion\u003cbr\u003eRegulus collaborations\u003cbr\u003e六無人 \/ Rokubujin\u003cbr\u003eKizu Kyosuke\u003cbr\u003eBouya Harumichi\u003cbr\u003eJapanese sukajan\u003cbr\u003eWagara clothing\u003cbr\u003eDragon embroidery\u003cbr\u003ePhoenix embroidery\u003cbr\u003eVelveteen souvenir jackets\u003cbr\u003eJapanese streetwear archives\u003cbr\u003eBiker and rock fashion\u003cbr\u003eWearable textile art\u003c\/p\u003e\n\u003cp\u003eA wide padded hanger is recommended to support the raglan shoulders without stretching the collar.\u003c\/p\u003e\n\u003cp\u003eDirect sunlight, excessive humidity and prolonged compression should be avoided.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eWhy This Piece Stands Apart\u003c\/h1\u003e\n\u003cp\u003eThe jacket offers a combination rarely found in ordinary souvenir clothing:\u003c\/p\u003e\n\u003cp\u003eOriginal 六無人 label\u003cbr\u003eCROWS × WORST character association\u003cbr\u003eRegulus collaboration provenance\u003cbr\u003eKizu Kyosuke model history\u003cbr\u003eLater Bouya Harumichi association\u003cbr\u003eOriginal 2016–2017 production-era character\u003cbr\u003eTagged Japanese size L\u003cbr\u003eBlack velveteen exterior\u003cbr\u003eDeep-blue satin alternate face\u003cbr\u003eTwo complete embroidery programs\u003cbr\u003eMassive dragon and phoenix artwork\u003cbr\u003eAsymmetrical phoenix chest treatment\u003cbr\u003eCool monochrome and warm gold colorways\u003cbr\u003eDirect embroidered 六無人 signature\u003cbr\u003eDiscontinued earlier production\u003cbr\u003eCurrent official revival confirming the design’s importance\u003c\/p\u003e\n\u003cp\u003eMost reversible sukajan offer one principal design and one simpler alternative.\u003c\/p\u003e\n\u003cp\u003eThis piece offers the same mythical encounter viewed through two different worlds.\u003c\/p\u003e\n\u003cp\u003eOne is blue, cold and fluid.\u003c\/p\u003e\n\u003cp\u003eThe other is black, golden and nocturnal.\u003c\/p\u003e\n\u003cp\u003eThe jacket changes without abandoning its identity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003ePurchase, Shipping and Pre-Owned Policy\u003c\/h1\u003e\n\u003cp\u003eThis is a genuine pre-owned collectible garment offered in its present \u003cstrong\u003eas-is condition\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSigns of previous wear, storage, satin creasing, velveteen-pile movement, rib relaxation, minor thread variation, surface impressions and other age-appropriate characteristics are inherent to pre-owned embroidered clothing.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs and written details carefully before purchase. The photographs form an essential part of the description and provide the clearest representation of the colors, materials, embroidery and condition.\u003c\/p\u003e\n\u003cp\u003eColor appearance may vary slightly depending upon lighting, screen calibration and the reflective direction of the satin or velveteen pile.\u003c\/p\u003e\n\u003cp\u003eJapanese-market sizing may differ from contemporary Western sizing. Please compare the final flat-lay measurements with a similar jacket that already fits comfortably.\u003c\/p\u003e\n\u003cp\u003eDue to the collectible, pre-owned and internationally shipped nature of this garment, returns, exchanges and claims based upon fit, previously disclosed condition, expected material variation or minor color differences cannot be accepted, subject to applicable Etsy policies and consumer law.\u003c\/p\u003e\n\u003cp\u003eReasonable and respectful offers may be considered.\u003c\/p\u003e\n\u003cp\u003eThe jacket will be carefully protected, folded without unnecessary compression and packed for international transit.\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is normally provided through Japan Post EMS or another suitable tracked international service where required.\u003c\/p\u003e\n\u003cp\u003ePreparation, shipping and handling normally takes \u003cstrong\u003e5–10 business days or earlier\u003c\/strong\u003e. Tracking information will be supplied after dispatch.\u003c\/p\u003e\n\u003cp\u003eAny customs duties, import taxes, local handling fees or destination-country charges remain the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for this design or model in another size, please feel free to message us. Although availability cannot be guaranteed, we may be able to locate the same or a closely matching piece in a different size through our sourcing network.\u003c\/p\u003e\n\u003cp\u003e#CrowsWorst #Rokubujin #六無人 #KizuKyosuke #BouyaHarumichi #DragonPhoenix #DragonSukajan #PhoenixJacket #JapaneseSukajan #ReversibleJacket #JapaneseStreetwear #MangaFashion #AnimeStreetwear #Regulus69 #WagaraFashion #VelvetSukajan #SatinBomber #JapaneseBomber #SouvenirJacket #YokosukaJacket #CrowsCollector #WorstManga #EmbroideredJacket #WearableArt #JapaneseBiker #Amekaji #RyutoHoo #CollectorJacket #SizeLJacket #RareSukajan\u003c\/p\u003e\n\u003cp\u003ecrows worst jacket, rokubujin sukajan, dragon phoenix, kizu kyosuke, bouya harumichi, reversible jacket, japanese sukajan, velvet sukajan, anime streetwear, manga jacket, wagara bomber, size l sukajan, japanese collector\u003c\/p\u003e\n\u003ch3\u003eMaterial Tags\u003c\/h3\u003e\n\u003cp\u003eblack velveteen, blue rayon satin, multitone embroidery thread, rib-knit trim, reversible metal zipper, woven pocketing, satin sleeve panels\u003c\/p\u003e","brand":"Rare Vintage, Antiques and Art Collector \/ Curator \/ Personal Shopper From Japan","offers":[{"title":"Default Title","offer_id":53031447068965,"sku":"Ina 29","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8829\/6229\/files\/ina29_18of39.jpg?v=1786065368","url":"https:\/\/japonista.com\/products\/rare-crows-worst-rokubujin-dragon-phoenix-reversible-sukajan-jacket-l-kizu-kyosuke-bouya-harumichi-model","provider":"Japonista","version":"1.0","type":"link"}