{"product_id":"antique-japanese-maki-e-lacquer-choshi-sake-ewer-pair-pine-plum-gold-urushi-ceremonial-pourers-with-wood-box","title":"Antique Japanese Maki-e Lacquer Choshi Sake Ewer Pair | Pine Plum Gold Urushi Ceremonial Pourers with Wood Box","description":"\u003c!-- japanese bronze tetsubin, antique tea kettle japan, bronze tea ceremony kettle, auspicious japanese teaware, treasure sack motif, collectible tetsubin --\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eMatched Japanese lacquer choshi with arched handles, removable lids, gold maki-e pine and plum decoration, gilded rims and fitted divided wooden storage box\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eIntroduction\u003c\/h2\u003e\n\u003cp\u003eElegant at first glance and increasingly fascinating the longer one looks, this matched pair of Japanese lacquer \u003cstrong\u003echoshi\u003c\/strong\u003e, traditional handled sake ewers, belongs to a world in which practical dining vessels were treated as works of decorative art.\u003c\/p\u003e\n\u003cp\u003eEach piece has a low, rounded body finished in deep brown-black lacquer, an elongated pouring spout, a sweeping overhead handle and a fitted circular lid. Across those dark glossy surfaces, fine gold decoration introduces branches of pine and flowering plum, motifs long associated in Japan with endurance, renewal, longevity and auspicious celebration.\u003c\/p\u003e\n\u003cp\u003eThe contrast is beautiful.\u003c\/p\u003e\n\u003cp\u003eDark lacquer provides depth.\u003c\/p\u003e\n\u003cp\u003eGold catches the light.\u003c\/p\u003e\n\u003cp\u003eDelicate botanical imagery floats across the curved forms.\u003c\/p\u003e\n\u003cp\u003eThen the high arching handles rise above each vessel, giving the pair an almost architectural silhouette.\u003c\/p\u003e\n\u003cp\u003eThese are far more than ordinary serving pieces. Their form belongs to Japanese ceremonial sake culture, where choshi were traditionally used for formal pouring and presentation. Displayed today, they preserve that sense of occasion while functioning as refined examples of Japanese lacquer craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThe presence of two coordinated vessels and their fitted divided wooden storage box gives the group an especially complete and compelling character.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eChoshi: The Japanese Ceremonial Sake Ewer\u003c\/h2\u003e\n\u003cp\u003eThe correct identification of these pieces is not simply “lacquer bowls.”\u003c\/p\u003e\n\u003cp\u003eThey are \u003cstrong\u003echoshi\u003c\/strong\u003e, handled pouring vessels traditionally associated with sake service.\u003c\/p\u003e\n\u003cp\u003eThe form is immediately recognizable once its components are understood.\u003c\/p\u003e\n\u003cp\u003eA broad, shallow vessel forms the body.\u003c\/p\u003e\n\u003cp\u003eA narrow spout projects horizontally from one side.\u003c\/p\u003e\n\u003cp\u003eA tall arched handle bridges the vessel from front to back.\u003c\/p\u003e\n\u003cp\u003eA fitted lid protects the contents while leaving the ewer easy to carry and pour.\u003c\/p\u003e\n\u003cp\u003eThis shape allowed the choshi to function gracefully at a dining setting or ceremonial gathering without adopting the tall bottle form associated with more familiar sake containers.\u003c\/p\u003e\n\u003cp\u003eTheir low center of gravity makes the vessels stable.\u003c\/p\u003e\n\u003cp\u003eThe overhead handle creates visual height.\u003c\/p\u003e\n\u003cp\u003eThe narrow spout controls the pour.\u003c\/p\u003e\n\u003cp\u003eThe covered form preserves both warmth and presentation.\u003c\/p\u003e\n\u003cp\u003eIt is an object in which utility and ceremony meet beautifully.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eA Matched Pair\u003c\/h2\u003e\n\u003cp\u003eFinding one old lacquer choshi is interesting.\u003c\/p\u003e\n\u003cp\u003eFinding two preserved together is considerably more satisfying.\u003c\/p\u003e\n\u003cp\u003eThe matching scale, dark lacquer ground, gold botanical decoration, lid construction and handle treatment allow these vessels to read as a deliberate set rather than two unrelated pieces assembled later.\u003c\/p\u003e\n\u003cp\u003ePlaced side by side, they form a balanced composition.\u003c\/p\u003e\n\u003cp\u003eThe handles create twin arches.\u003c\/p\u003e\n\u003cp\u003eThe spouts project outward.\u003c\/p\u003e\n\u003cp\u003eThe circular lids repeat one another.\u003c\/p\u003e\n\u003cp\u003eThe gold decoration moves across both surfaces without making the vessels identical in every detail.\u003c\/p\u003e\n\u003cp\u003eThat balance between repetition and variation is particularly attractive.\u003c\/p\u003e\n\u003cp\u003eThey feel related rather than mechanically duplicated.\u003c\/p\u003e\n\u003cp\u003eThis quality is important in Japanese decorative arts, where coordinated objects often achieve harmony through shared visual language instead of exact industrial uniformity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Deep Lacquer Ground\u003c\/h2\u003e\n\u003cp\u003eThe dominant color is an exceptionally rich dark brown-black.\u003c\/p\u003e\n\u003cp\u003eDepending on the light, it can appear almost black in shadow and reveal warmer chestnut undertones along curved surfaces and edges.\u003c\/p\u003e\n\u003cp\u003eThat depth is one of lacquer's great visual pleasures.\u003c\/p\u003e\n\u003cp\u003eUnlike ordinary opaque paint, traditional lacquer develops a surface that seems to contain light rather than simply reflect it.\u003c\/p\u003e\n\u003cp\u003eThe rounded bodies emphasize this effect.\u003c\/p\u003e\n\u003cp\u003eHighlights roll gently across the lacquer.\u003c\/p\u003e\n\u003cp\u003eThe sides disappear into deep shadow.\u003c\/p\u003e\n\u003cp\u003eGold maki-e decoration then emerges from that darkness almost as though suspended above it.\u003c\/p\u003e\n\u003cp\u003eThe photographs capture this particularly well on the side view, where pine and plum imagery appears to glow against the vessel's curved body.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eGold Maki-e Decoration\u003c\/h2\u003e\n\u003cp\u003eThe botanical ornament is applied in the visual tradition of \u003cstrong\u003emaki-e\u003c\/strong\u003e, the celebrated Japanese technique in which metallic powder is used to create decoration over lacquer.\u003c\/p\u003e\n\u003cp\u003eHere, the gold-toned imagery is restrained rather than overwhelmingly dense.\u003c\/p\u003e\n\u003cp\u003eThat is an important part of the pair's elegance.\u003c\/p\u003e\n\u003cp\u003eFine pine needles are rendered in delicate linear strokes.\u003c\/p\u003e\n\u003cp\u003eBranches extend around the body.\u003c\/p\u003e\n\u003cp\u003eSmall blossoms punctuate the composition.\u003c\/p\u003e\n\u003cp\u003eAdditional floral and scrolling motifs decorate the lids and handles.\u003c\/p\u003e\n\u003cp\u003eThe decoration does not completely cover the lacquer.\u003c\/p\u003e\n\u003cp\u003eInstead, empty dark areas remain around the imagery.\u003c\/p\u003e\n\u003cp\u003eThat negative space gives the gold room to breathe.\u003c\/p\u003e\n\u003cp\u003eFrom a distance, the vessels appear almost minimalist.\u003c\/p\u003e\n\u003cp\u003eAt close range, their decorative refinement becomes increasingly apparent.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePine and Plum\u003c\/h2\u003e\n\u003cp\u003eThe visible botanical imagery strongly suggests two especially important Japanese seasonal motifs: \u003cstrong\u003ematsu\u003c\/strong\u003e, pine, and \u003cstrong\u003eume\u003c\/strong\u003e, plum.\u003c\/p\u003e\n\u003cp\u003ePine remains green through winter and has traditionally carried associations of endurance, longevity and steadfastness.\u003c\/p\u003e\n\u003cp\u003ePlum is one of the earliest blossoms to emerge from winter's cold.\u003c\/p\u003e\n\u003cp\u003eIts flowers therefore became symbols of resilience, renewal and the arrival of spring.\u003c\/p\u003e\n\u003cp\u003eTogether, pine and plum belong to the broader vocabulary of auspicious Japanese decoration often encountered on objects made for celebration, hospitality and formal presentation.\u003c\/p\u003e\n\u003cp\u003eThe symbolism feels particularly appropriate on sake vessels.\u003c\/p\u003e\n\u003cp\u003eSuch pieces were not merely containers.\u003c\/p\u003e\n\u003cp\u003eThey participated in moments of welcome, ceremony, union and festivity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Pine Motif\u003c\/h2\u003e\n\u003cp\u003eThe pine decoration is especially attractive.\u003c\/p\u003e\n\u003cp\u003eRather than reducing the tree to a simplified emblem, the artist has rendered clusters of fine needles radiating from the branch structure.\u003c\/p\u003e\n\u003cp\u003eAgainst the dark lacquer, the gold pine needles become almost feather-like.\u003c\/p\u003e\n\u003cp\u003eTheir delicate linear quality contrasts with the rounded mass of the vessel.\u003c\/p\u003e\n\u003cp\u003eOn one ewer, the pine sweeps around the side wall beneath the handle.\u003c\/p\u003e\n\u003cp\u003eOn the lid, additional foliage contributes to the impression that the botanical composition continues across separate components.\u003c\/p\u003e\n\u003cp\u003eThe effect is light and rhythmic.\u003c\/p\u003e\n\u003cp\u003eA dense cluster of gold appears.\u003c\/p\u003e\n\u003cp\u003eThen the lacquer opens again into darkness.\u003c\/p\u003e\n\u003cp\u003eThen another branch reappears.\u003c\/p\u003e\n\u003cp\u003eThis visual cadence gives the vessels surprising movement despite their compact, stable shapes.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePlum Blossoms\u003c\/h2\u003e\n\u003cp\u003eThe smaller flowering branches introduce a softer note.\u003c\/p\u003e\n\u003cp\u003eClusters of tiny blossoms travel across the body and lid in gold.\u003c\/p\u003e\n\u003cp\u003eTheir scale is deliberately modest.\u003c\/p\u003e\n\u003cp\u003eThey do not compete with the larger pine motif.\u003c\/p\u003e\n\u003cp\u003eInstead, they animate the darker spaces between major elements.\u003c\/p\u003e\n\u003cp\u003eSeen together, pine and plum establish an elegant seasonal dialogue.\u003c\/p\u003e\n\u003cp\u003eOne represents endurance.\u003c\/p\u003e\n\u003cp\u003eThe other renewal.\u003c\/p\u003e\n\u003cp\u003eBoth were deeply suited to auspicious domestic and ceremonial objects.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDecoration on the Handles\u003c\/h2\u003e\n\u003cp\u003eThe handles deserve particular attention.\u003c\/p\u003e\n\u003cp\u003eThey are not simply functional black arches.\u003c\/p\u003e\n\u003cp\u003eGold scrolling and floral ornament continues across the upper surface of each handle, transforming a structural component into another decorative field.\u003c\/p\u003e\n\u003cp\u003eThis is a small detail, but an important one.\u003c\/p\u003e\n\u003cp\u003eIt demonstrates that the vessels were designed to be appreciated from multiple viewpoints.\u003c\/p\u003e\n\u003cp\u003eViewed from above, the handles remain ornamented.\u003c\/p\u003e\n\u003cp\u003eViewed from the side, their dark arcs frame the gold-decorated body.\u003c\/p\u003e\n\u003cp\u003eViewed from the front, they form an almost perfect semicircular crown above the vessel.\u003c\/p\u003e\n\u003cp\u003eThe repetition of this feature across both choshi gives the pair considerable visual unity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Arched Handle Form\u003c\/h2\u003e\n\u003cp\u003eThe handles rise dramatically above the low bodies.\u003c\/p\u003e\n\u003cp\u003eThat change in proportion gives these relatively compact vessels a much stronger presence than their footprint alone would suggest.\u003c\/p\u003e\n\u003cp\u003eA low bowl-shaped body might otherwise appear quiet and horizontal.\u003c\/p\u003e\n\u003cp\u003eThe handle introduces verticality.\u003c\/p\u003e\n\u003cp\u003eThe result is almost calligraphic.\u003c\/p\u003e\n\u003cp\u003eA rounded dark body.\u003c\/p\u003e\n\u003cp\u003eA projecting spout.\u003c\/p\u003e\n\u003cp\u003eA single line rising into an arch.\u003c\/p\u003e\n\u003cp\u003eIt is an extraordinarily efficient piece of design.\u003c\/p\u003e\n\u003cp\u003eVery little material is required to produce a memorable silhouette.\u003c\/p\u003e\n\u003cp\u003eThis is one reason traditional Japanese serving forms remain so appealing within contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eThey combine practical clarity with sculptural intelligence.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Lids\u003c\/h2\u003e\n\u003cp\u003eEach vessel includes a fitted round lid.\u003c\/p\u003e\n\u003cp\u003eA raised linear grip crosses the lid, allowing it to be lifted without disturbing the main handle.\u003c\/p\u003e\n\u003cp\u003eThe lid design also provides another surface for maki-e ornament.\u003c\/p\u003e\n\u003cp\u003ePine and blossom motifs appear across these upper planes, framed by fine gold edging.\u003c\/p\u003e\n\u003cp\u003eWhen closed, lid and vessel become one coherent composition.\u003c\/p\u003e\n\u003cp\u003eWhen removed, as demonstrated in the photographs, the simplicity of the underlying bowl-shaped body becomes clearer.\u003c\/p\u003e\n\u003cp\u003eThe removable lid also allows the craftsmanship of the individual components to be appreciated separately.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eGold Rim Accents\u003c\/h2\u003e\n\u003cp\u003eFine gold edging traces the rims, spout and surrounding boundaries.\u003c\/p\u003e\n\u003cp\u003eThese narrow lines are easy to overlook in photographs, yet they play an important visual role.\u003c\/p\u003e\n\u003cp\u003eThey define shape.\u003c\/p\u003e\n\u003cp\u003eAround the circular body, gold separates dark lacquer from surrounding space.\u003c\/p\u003e\n\u003cp\u003eAlong the spout, it creates a crisp highlight.\u003c\/p\u003e\n\u003cp\u003eAround the lid, it clarifies the overlap between one component and another.\u003c\/p\u003e\n\u003cp\u003eBecause the gold is restrained to narrow borders, it creates refinement rather than excess.\u003c\/p\u003e\n\u003cp\u003eThe vessels remain dark and sophisticated.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Pouring Spouts\u003c\/h2\u003e\n\u003cp\u003eEach choshi has a short projecting spout that emerges directly from the rounded body.\u003c\/p\u003e\n\u003cp\u003eThe form is compact and deliberately understated.\u003c\/p\u003e\n\u003cp\u003eRather than resembling the long curved spout of a teapot, the choshi spout is broad at its base and tapers toward the opening.\u003c\/p\u003e\n\u003cp\u003eThis preserves the visual emphasis on the central vessel and its sweeping handle.\u003c\/p\u003e\n\u003cp\u003eThe interior of the spout appears dark lacquered as well, maintaining visual continuity.\u003c\/p\u003e\n\u003cp\u003eWhen displayed as a pair, the orientation of the spouts can be used creatively.\u003c\/p\u003e\n\u003cp\u003eThey may face outward.\u003c\/p\u003e\n\u003cp\u003eThey may point in the same direction.\u003c\/p\u003e\n\u003cp\u003eThey may angle slightly toward one another.\u003c\/p\u003e\n\u003cp\u003eEach arrangement changes the character of the display.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCeremonial Sake Culture\u003c\/h2\u003e\n\u003cp\u003eSake vessels in Japan developed into an astonishing variety of forms.\u003c\/p\u003e\n\u003cp\u003eSome were intended for everyday drinking.\u003c\/p\u003e\n\u003cp\u003eOthers belonged to more formal presentation traditions.\u003c\/p\u003e\n\u003cp\u003eChoshi occupy the latter world.\u003c\/p\u003e\n\u003cp\u003eThe handled ewer is associated with pouring rather than drinking directly.\u003c\/p\u003e\n\u003cp\u003eIts form naturally introduces a gesture between two people.\u003c\/p\u003e\n\u003cp\u003eOne person holds the vessel.\u003c\/p\u003e\n\u003cp\u003eAnother receives the sake.\u003c\/p\u003e\n\u003cp\u003eThe object therefore becomes part of an exchange.\u003c\/p\u003e\n\u003cp\u003eHospitality.\u003c\/p\u003e\n\u003cp\u003eRespect.\u003c\/p\u003e\n\u003cp\u003eCelebration.\u003c\/p\u003e\n\u003cp\u003eRitual.\u003c\/p\u003e\n\u003cp\u003eThat social quality gives old sake vessels an appeal extending beyond their original function.\u003c\/p\u003e\n\u003cp\u003eEven when displayed rather than used, they remain objects built around human interaction.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWedding and Auspicious Associations\u003c\/h2\u003e\n\u003cp\u003eTraditional handled sake vessels are closely associated with formal Japanese occasions, including celebratory and matrimonial settings.\u003c\/p\u003e\n\u003cp\u003eThe auspicious botanical vocabulary seen here reinforces that ceremonial character.\u003c\/p\u003e\n\u003cp\u003ePine has long represented longevity.\u003c\/p\u003e\n\u003cp\u003ePlum represents resilience and renewal.\u003c\/p\u003e\n\u003cp\u003eGold suggests celebration and dignity.\u003c\/p\u003e\n\u003cp\u003ePaired vessels naturally evoke harmony and companionship.\u003c\/p\u003e\n\u003cp\u003eFor this reason, the group has particularly strong decorative symbolism when displayed as a pair.\u003c\/p\u003e\n\u003cp\u003eIt works beautifully in interiors where the intention is not simply “Japanese decor,” but objects with a deeper cultural narrative.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eA Beautiful Exercise in Restraint\u003c\/h2\u003e\n\u003cp\u003eWhat makes these pieces sophisticated is what the decorator chose not to cover.\u003c\/p\u003e\n\u003cp\u003eMany forms of Japanese decorative art can be extraordinarily dense.\u003c\/p\u003e\n\u003cp\u003eEvery surface may be occupied.\u003c\/p\u003e\n\u003cp\u003eThese choshi take the opposite approach.\u003c\/p\u003e\n\u003cp\u003eThe dark lacquer ground remains dominant.\u003c\/p\u003e\n\u003cp\u003eGold appears selectively.\u003c\/p\u003e\n\u003cp\u003eThis produces calm.\u003c\/p\u003e\n\u003cp\u003eA pine branch is allowed to stand alone.\u003c\/p\u003e\n\u003cp\u003eA handful of plum blossoms can occupy an entire curved panel.\u003c\/p\u003e\n\u003cp\u003eThe vessel's own shape remains visible beneath the decoration.\u003c\/p\u003e\n\u003cp\u003eThat restraint allows both form and ornament to succeed.\u003c\/p\u003e\n\u003cp\u003eNeither overwhelms the other.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWabi-Sabi and the Beauty of Age\u003c\/h2\u003e\n\u003cp\u003eThe vessels show the subtle traces expected from older lacquer objects.\u003c\/p\u003e\n\u003cp\u003eThere is rubbing.\u003c\/p\u003e\n\u003cp\u003eThere are small marks.\u003c\/p\u003e\n\u003cp\u003eGold edging has softened in places.\u003c\/p\u003e\n\u003cp\u003eThe box has developed the warm, uneven tone of aged wood.\u003c\/p\u003e\n\u003cp\u003eThese are not flaws that erase the appeal of the pieces.\u003c\/p\u003e\n\u003cp\u003eThey are part of the historical surface.\u003c\/p\u003e\n\u003cp\u003eLacquerware often acquires its greatest atmosphere through use.\u003c\/p\u003e\n\u003cp\u003eEdges become softer.\u003c\/p\u003e\n\u003cp\u003eGloss varies.\u003c\/p\u003e\n\u003cp\u003eGold wears differently depending on where fingers repeatedly touched the object.\u003c\/p\u003e\n\u003cp\u003eAge creates a kind of map.\u003c\/p\u003e\n\u003cp\u003eFor collectors drawn to wabi-sabi, this history can be one of the most appealing qualities of an antique Japanese object.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Fitted Wooden Storage Box\u003c\/h2\u003e\n\u003cp\u003eThe pair is accompanied by a substantial wooden storage box divided internally into two compartments.\u003c\/p\u003e\n\u003cp\u003eThe partition strongly suggests that the two vessels were intended to remain together.\u003c\/p\u003e\n\u003cp\u003eThat is an important detail.\u003c\/p\u003e\n\u003cp\u003eOld Japanese objects are frequently encountered after their original groups have been dispersed.\u003c\/p\u003e\n\u003cp\u003eOne vessel survives.\u003c\/p\u003e\n\u003cp\u003eA lid disappears.\u003c\/p\u003e\n\u003cp\u003eThe box is lost.\u003c\/p\u003e\n\u003cp\u003eIts companion is separated decades earlier.\u003c\/p\u003e\n\u003cp\u003eHere, the continued presence of two coordinated choshi together with a fitted divided box provides a much stronger sense of completeness.\u003c\/p\u003e\n\u003cp\u003eThe box itself carries visible age, including darkening, surface marks and wear consistent with long-term storage and handling.\u003c\/p\u003e\n\u003cp\u003eIt has an understated beauty of its own.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Importance of the Pair\u003c\/h2\u003e\n\u003cp\u003eObjects designed in pairs often acquire their strongest visual meaning only when reunited in display.\u003c\/p\u003e\n\u003cp\u003eEach individual choshi is attractive.\u003c\/p\u003e\n\u003cp\u003eTogether they gain rhythm.\u003c\/p\u003e\n\u003cp\u003eThe repeating arcs of the handles immediately create balance.\u003c\/p\u003e\n\u003cp\u003eThe gold botanical decoration begins to communicate across the gap between them.\u003c\/p\u003e\n\u003cp\u003eTheir similar silhouettes establish order.\u003c\/p\u003e\n\u003cp\u003eTheir individually composed maki-e prevents the arrangement from feeling mechanical.\u003c\/p\u003e\n\u003cp\u003eThe relationship between two objects becomes the artwork.\u003c\/p\u003e\n\u003cp\u003eThis makes the set especially suitable for long sideboards, entrance consoles, cabinet shelves and dining-room displays where symmetry can be used intentionally.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eLacquer as a Japanese Art Material\u003c\/h2\u003e\n\u003cp\u003eJapanese lacquer is one of the country's most celebrated decorative traditions.\u003c\/p\u003e\n\u003cp\u003eIts strength lies in contradiction.\u003c\/p\u003e\n\u003cp\u003eThe surface appears delicate, polished and almost liquid.\u003c\/p\u003e\n\u003cp\u003eYet properly prepared lacquerware can be remarkably durable.\u003c\/p\u003e\n\u003cp\u003eThe material permits extraordinary depth of color.\u003c\/p\u003e\n\u003cp\u003eBlack lacquer can appear deeper than ordinary pigment.\u003c\/p\u003e\n\u003cp\u003eBrown lacquer can shift according to illumination.\u003c\/p\u003e\n\u003cp\u003eRed lacquer can glow from within.\u003c\/p\u003e\n\u003cp\u003eMetal powders can be incorporated to create decoration that seems simultaneously painted and embedded.\u003c\/p\u003e\n\u003cp\u003eOn objects such as these choshi, lacquer performs several roles at once.\u003c\/p\u003e\n\u003cp\u003eIt protects.\u003c\/p\u003e\n\u003cp\u003eIt beautifies.\u003c\/p\u003e\n\u003cp\u003eIt creates color.\u003c\/p\u003e\n\u003cp\u003eIt provides the ground for maki-e.\u003c\/p\u003e\n\u003cp\u003eAnd over time, it records the object's history.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Visual Effect of Gold on Dark Lacquer\u003c\/h2\u003e\n\u003cp\u003eFew combinations in Japanese decorative art are as effective as gold against dark urushi.\u003c\/p\u003e\n\u003cp\u003eThe contrast is inherently dramatic.\u003c\/p\u003e\n\u003cp\u003eBut because the gold imagery here is fine and botanical, the effect remains elegant.\u003c\/p\u003e\n\u003cp\u003eThe vessel does not read as ostentatious.\u003c\/p\u003e\n\u003cp\u003eIt reads as quietly luxurious.\u003c\/p\u003e\n\u003cp\u003eIn subdued evening light, the dark lacquer nearly disappears and the gold decoration becomes dominant.\u003c\/p\u003e\n\u003cp\u003eIn bright daylight, the body itself becomes more visible and warmer brown undertones emerge.\u003c\/p\u003e\n\u003cp\u003eDirectional light creates another effect entirely.\u003c\/p\u003e\n\u003cp\u003eThe curved body becomes a soft reflective surface through which the maki-e seems to travel.\u003c\/p\u003e\n\u003cp\u003eThese vessels can look different throughout the day.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDisplay Possibilities\u003c\/h2\u003e\n\u003cp\u003eThe pair adapts surprisingly well to many interiors.\u003c\/p\u003e\n\u003cp\u003eWithin a Japanese-inspired room, they feel completely natural beside ceramics, bronze, bamboo, tea utensils or scrolls.\u003c\/p\u003e\n\u003cp\u003eWithin a minimalist interior, their restrained dark-and-gold palette becomes an elegant focal point.\u003c\/p\u003e\n\u003cp\u003eWithin a maximal collection, they introduce a quieter counterbalance to more colorful ceramics.\u003c\/p\u003e\n\u003cp\u003eOn a dining sideboard, they reconnect naturally to their original hospitality function.\u003c\/p\u003e\n\u003cp\u003eOn a library shelf, their handles create unusual silhouettes among books and sculpture.\u003c\/p\u003e\n\u003cp\u003eIn a tokonoma-inspired display, one vessel may be rotated slightly while the second remains frontal, creating asymmetry within the pair.\u003c\/p\u003e\n\u003cp\u003eThey can also be displayed with their fitted wooden box nearby, allowing the storage object to become part of the presentation.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDecorative Rather Than Everyday Use\u003c\/h2\u003e\n\u003cp\u003eAlthough these vessels were originally created as functional sake ewers, their age and lacquer surfaces make them far better suited today to collecting and display than to routine food or beverage service.\u003c\/p\u003e\n\u003cp\u003eHistoric lacquer should generally be protected from prolonged moisture, heat, aggressive cleaning and rapid environmental change.\u003c\/p\u003e\n\u003cp\u003eFor modern ownership, their greatest value lies in preserving the surfaces and enjoying them as decorative and cultural objects.\u003c\/p\u003e\n\u003cp\u003eA pair this evocative does not need to be actively used to communicate its original purpose.\u003c\/p\u003e\n\u003cp\u003eThe design tells the story.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eThe pair presents attractively with strong dark lacquer surfaces and clearly visible gold decoration.\u003c\/p\u003e\n\u003cp\u003eExpected signs of age and previous use are present.\u003c\/p\u003e\n\u003cp\u003eThese include rubbing and loss to sections of gilded edging, small surface scratches, localized marks, minor lacquer wear and general handling traces.\u003c\/p\u003e\n\u003cp\u003eThe undersides show wear consistent with placement and use, including marks around the small supporting feet.\u003c\/p\u003e\n\u003cp\u003eThe removable lids are present.\u003c\/p\u003e\n\u003cp\u003eThe arched handles remain intact in the supplied photographs.\u003c\/p\u003e\n\u003cp\u003eThe fitted wooden storage box shows substantial age-related coloration, scratches, marks and wear.\u003c\/p\u003e\n\u003cp\u003eNo claim is made that the box is signed, as no inscription is visible in the supplied photographs.\u003c\/p\u003e\n\u003cp\u003eNo major structural breakage is immediately apparent from the views provided, but buyers should inspect all photographs carefully because they form an important part of the condition description.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eAge and Attribution\u003c\/h2\u003e\n\u003cp\u003eThe form, lacquer treatment, maki-e decoration and overall wear are consistent with antique Japanese ceremonial lacquerware.\u003c\/p\u003e\n\u003cp\u003eStylistically, the pair may belong to the late Edo through Meiji or early modern period, but no maker inscription or securely datable mark is visible in the supplied photographs.\u003c\/p\u003e\n\u003cp\u003eFor that reason, the listing should preserve the antique character of the objects without presenting an exact date, school or workshop as proven fact.\u003c\/p\u003e\n\u003cp\u003eTheir strongest identification is as a matched pair of Japanese lacquer choshi with gold maki-e decoration and fitted wooden storage box.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eBrand Heritage\u003c\/h2\u003e\n\u003cp\u003eJapanese lacquerware has always occupied an unusual position between the useful and the precious.\u003c\/p\u003e\n\u003cp\u003eA bowl may be made for eating.\u003c\/p\u003e\n\u003cp\u003eA tray for carrying.\u003c\/p\u003e\n\u003cp\u003eA box for storage.\u003c\/p\u003e\n\u003cp\u003eA choshi for pouring sake.\u003c\/p\u003e\n\u003cp\u003eYet craftsmanship transforms these everyday acts into ceremony.\u003c\/p\u003e\n\u003cp\u003eThe artisan begins with form.\u003c\/p\u003e\n\u003cp\u003eA rounded vessel must balance comfortably.\u003c\/p\u003e\n\u003cp\u003eThe spout must pour.\u003c\/p\u003e\n\u003cp\u003eThe lid must fit.\u003c\/p\u003e\n\u003cp\u003eThe handle must carry.\u003c\/p\u003e\n\u003cp\u003eThen lacquer is layered over that structure until utility begins to acquire depth and polish.\u003c\/p\u003e\n\u003cp\u003eFinally, maki-e turns the surface into landscape and season.\u003c\/p\u003e\n\u003cp\u003ePine grows across a dark curved wall.\u003c\/p\u003e\n\u003cp\u003ePlum blossoms emerge in gold.\u003c\/p\u003e\n\u003cp\u003eThe handle becomes ornament.\u003c\/p\u003e\n\u003cp\u003eThe lid becomes a picture.\u003c\/p\u003e\n\u003cp\u003eThe vessel remains functional, but it is no longer ordinary.\u003c\/p\u003e\n\u003cp\u003eThat philosophy is beautifully preserved in this pair.\u003c\/p\u003e\n\u003cp\u003eThey carry the memory of Japanese hospitality without needing to recreate it literally.\u003c\/p\u003e\n\u003cp\u003eToday, their value lies in the quiet conversation between two matching forms, old lacquer, gold branches and the wooden box that kept them together.\u003c\/p\u003e\n\u003cp\u003eThey are objects made for pouring.\u003c\/p\u003e\n\u003cp\u003eNow they pour something else into a room.\u003c\/p\u003e\n\u003cp\u003eHistory.\u003c\/p\u003e\n\u003cp\u003eAtmosphere.\u003c\/p\u003e\n\u003cp\u003eBalance.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePurchase, Shipping and Vintage Policy\u003c\/h2\u003e\n\u003cp\u003eThis pair is offered as vintage or antique Japanese decorative lacquerware in the condition represented by the photographs. Older lacquer objects naturally may show surface marks, rubbing, losses to gilding, small scratches, age-related discoloration, wear to rims and feet, box wear and other traces of long-term handling and storage.\u003c\/p\u003e\n\u003cp\u003eSome objects in our collection have a little room for negotiation while others are more firmly priced. Respectful best offers are welcome and are considered individually.\u003c\/p\u003e\n\u003cp\u003ePreparation, shipping and handling normally takes approximately \u003cstrong\u003e5 to 10 business days or earlier whenever possible\u003c\/strong\u003e. The two vessels, lids and fitted wooden box will be individually protected to minimize contact and movement during transportation.\u003c\/p\u003e\n\u003cp\u003eTracking information will be supplied after dispatch.\u003c\/p\u003e\n\u003cp\u003eInternational duties, import taxes and destination-country charges, where applicable, remain the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for this design or model in another size, please feel free to message us. Although availability cannot be guaranteed, we may be able to locate the same or a closely matching piece in a different size through our sourcing network.\u003c\/p\u003e\n\u003ch2\u003eMaterial Tags\u003c\/h2\u003e\n\u003cp\u003eJapanese lacquerware, urushi lacquer, lacquered wood, dark brown lacquer, black lacquer, gold maki-e, metallic gold powder decoration, pine maki-e, plum blossom maki-e, botanical maki-e, gilt edging, lacquered arched handle, lacquered lid, lacquered spout, wooden vessel body, traditional Japanese woodcraft, fitted wooden storage box, natural wood box, divided wood box, hand-finished lacquer surface, ceremonial sake ware, choshi, Japanese serving ware, antique lacquer, maki-e tableware\u003c\/p\u003e\n\u003cp\u003e#JapaneseLacquer #JapaneseLacquerware #Makie #GoldMakie #Urushi #UrushiLacquer #Choshi #SakeEwer #JapaneseSakeWare #JapaneseAntique #AntiqueJapan #JapaneseArt #JapaneseCraft #JapaneseCraftsmanship #JapaneseTableware #CeremonialWare #JapaneseCeremony #SakeCeremony #JapaneseWedding #PineMotif #PlumBlossom #Matsu #Ume #AuspiciousDecor #JapaneseBotanicalArt #GoldLacquer #BlackLacquer #BrownLacquer #AntiqueLacquer #LacquerCollector #MakieCollector #AsianAntiques #AsianArt #OrientalDecor #JapaneseDecor #JapaneseInterior #JapandiDecor #WabiSabi #WabiSabiDecor #JapaneseVintage #EdoStyle #MeijiStyle #JapaneseServingWare #SakePourer #JapaneseHospitality #WoodenLacquerware #TraditionalJapan #CollectibleLacquer #AntiqueServingWare #JapaneseDining #JapaneseHomeDecor #JapaneseCulturalArt #BotanicalDecor #PineAndPlum #GoldFloralDecor #JapanesePair #AntiquePair #CeremonialSake #JapanCollectible #HeirloomDecor\u003c\/p\u003e\n\u003cp\u003ejapanese choshi, maki e lacquer, sake ewer pair, antique lacquer, japanese urushi, gold makie, pine plum decor, sake ceremony, japanese antique, lacquer sake ware, japanese serving, vintage japan, choshi pair\u003c\/p\u003e","brand":"Rare Vintage, Antiques and Art Collector \/ Curator \/ Personal Shopper From Japan","offers":[{"title":"Default Title","offer_id":53819754479909,"sku":null,"price":740.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8829\/6229\/files\/AQ164_2.jpg?v=1789367734","url":"https:\/\/japonista.com\/products\/antique-japanese-maki-e-lacquer-choshi-sake-ewer-pair-pine-plum-gold-urushi-ceremonial-pourers-with-wood-box","provider":"Japonista","version":"1.0","type":"link"}