{"product_id":"antique-japanese-buddhist-hanging-scroll-shaka-triad-sixteen-benevolent-deities-late-edo-early-meiji-kakejiku-with-box","title":"Antique Japanese Buddhist Hanging Scroll Shaka Triad Sixteen Benevolent Deities Late Edo Early Meiji Kakejiku with Box","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"285\" data-start=\"122\" data-section-id=\"14q9nys\"\u003eMonumental Shaka Sanzon Jūroku Zenshin Buddhist painting with guardian deities, metallic pigments, formal brocade mounting and original-style wooden storage box\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-end=\"518\" data-start=\"287\"\u003eThis exceptionally detailed Japanese Buddhist hanging scroll depicts \u003cstrong data-end=\"517\" data-start=\"356\"\u003eShaka Nyorai, the historical Buddha Shakyamuni, enthroned within an immense celestial assembly of attendant bodhisattvas, guardian deities and sacred figures\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"757\" data-start=\"520\"\u003eKnown in Japan as \u003cstrong data-end=\"572\" data-start=\"538\"\u003eShaka Sanzon Jūroku Zenshin-zu\u003c\/strong\u003e or \u003cstrong data-end=\"603\" data-start=\"576\"\u003eShaka Jūroku Zenshin-zu\u003c\/strong\u003e, the composition belongs to a ritual painting tradition associated with ceremonial readings of the \u003cem data-end=\"718\" data-start=\"703\"\u003eDaihannya-kyō\u003c\/em\u003e, the Great Perfection of Wisdom Sutra.\u003c\/p\u003e\n\u003cp data-end=\"1220\" data-start=\"759\"\u003eThe principal Buddha sits above an unfurling lotus, his gilded body surrounded by concentric halos of pale blue, green and warm rose. Below him appear two attendant bodhisattvas, while sixteen vividly characterized protective deities gather in ranks around the central triad. The lower register introduces additional figures associated with the transmission and protection of Buddhist scripture, including the monk Xuanzang and the fierce guardian Jinja Daishō.\u003c\/p\u003e\n\u003cp data-end=\"1456\" data-start=\"1222\"\u003ePainted with a remarkable density of individual faces, armor, weapons, robes, animals, lotus blossoms and ritual attributes, the scroll carries the visual power of a complete temple pantheon rather than a solitary devotional portrait.\u003c\/p\u003e\n\u003ch2 data-end=\"1476\" data-start=\"1458\" data-section-id=\"1r2j7bc\"\u003eVisual Presence\u003c\/h2\u003e\n\u003cp data-end=\"1555\" data-start=\"1478\"\u003eThe composition rises vertically through several interconnected sacred zones.\u003c\/p\u003e\n\u003cp data-end=\"1747\" data-start=\"1557\"\u003eAt the top, a suspended floral canopy appears beneath a Buddhist flaming jewel. Peonies and ornamental blossoms rest above striped ceremonial textiles, tassels and stylized cloud formations.\u003c\/p\u003e\n\u003cp data-end=\"2126\" data-start=\"1749\"\u003eShaka occupies the serene center of the painting. His calm expression, raised hand and symmetrical lotus throne stand in deliberate contrast to the restless movement of the surrounding guardians. The body and faces of the principal sacred figures are enriched with metallic pigment, producing a restrained golden radiance against the soft mineral colors of the robes and halos.\u003c\/p\u003e\n\u003cp data-end=\"2367\" data-start=\"2128\"\u003eAround the central triad, the Sixteen Benevolent Deities form an animated wall of spiritual protection. Their identities are differentiated through dramatic complexions, elaborate crowns, animal emblems, patterned armor and ritual weapons.\u003c\/p\u003e\n\u003cp data-end=\"2693\" data-start=\"2369\"\u003eThe lower section becomes increasingly theatrical. Fierce red, blue, green and flesh-toned figures overlap across a black geometric ground filled with small floral devices. A white elephant, a lion-like guardian, monks, warriors and supernatural beings combine into a visually intricate field that rewards close examination.\u003c\/p\u003e\n\u003cp data-end=\"2904\" data-start=\"2695\"\u003eDespite the number of figures, the assembly remains carefully ordered around Shaka. The central Buddha remains still and luminous while the guardian world around him churns with color, expression and movement.\u003c\/p\u003e\n\u003ch2 data-end=\"2923\" data-start=\"2906\" data-section-id=\"1v3nf9r\"\u003eIdentification\u003c\/h2\u003e\n\u003cp data-end=\"3844\" data-start=\"2925\"\u003e\u003cstrong data-end=\"2944\" data-start=\"2925\"\u003eJapanese title:\u003c\/strong\u003e 釈迦三尊十六善神図\u003cbr data-end=\"2957\" data-start=\"2954\"\u003e\u003cstrong data-end=\"2977\" data-start=\"2957\"\u003eRomanized title:\u003c\/strong\u003e Shaka Sanzon Jūroku Zenshin-zu\u003cbr data-end=\"3011\" data-start=\"3008\"\u003e\u003cstrong data-end=\"3029\" data-start=\"3011\"\u003eEnglish title:\u003c\/strong\u003e Shakyamuni Triad with the Sixteen Benevolent Deities\u003cbr data-end=\"3085\" data-start=\"3082\"\u003e\u003cstrong data-end=\"3101\" data-start=\"3085\"\u003eObject type:\u003c\/strong\u003e Japanese Buddhist hanging scroll\u003cbr data-end=\"3137\" data-start=\"3134\"\u003e\u003cstrong data-end=\"3162\" data-start=\"3137\"\u003eJapanese object term:\u003c\/strong\u003e Kakejiku \/ kakemono\u003cbr data-end=\"3185\" data-start=\"3182\"\u003e\u003cstrong data-end=\"3197\" data-start=\"3185\"\u003eSubject:\u003c\/strong\u003e Shaka Nyorai with attendant bodhisattvas and the Sixteen Benevolent Deities\u003cbr data-end=\"3276\" data-start=\"3273\"\u003e\u003cstrong data-end=\"3299\" data-start=\"3276\"\u003eAdditional figures:\u003c\/strong\u003e Xuanzang, Jinja Daishō and associated protectors\u003cbr data-end=\"3351\" data-start=\"3348\"\u003e\u003cstrong data-end=\"3369\" data-start=\"3351\"\u003eLikely period:\u003c\/strong\u003e Late Edo to early Meiji period\u003cbr data-end=\"3403\" data-start=\"3400\"\u003e\u003cstrong data-end=\"3424\" data-start=\"3403\"\u003eApproximate date:\u003c\/strong\u003e 19th century, probably circa 1830–1890\u003cbr data-end=\"3466\" data-start=\"3463\"\u003e\u003cstrong data-end=\"3477\" data-start=\"3466\"\u003eArtist:\u003c\/strong\u003e Unidentified\u003cbr data-end=\"3493\" data-start=\"3490\"\u003e\u003cstrong data-end=\"3517\" data-start=\"3493\"\u003eSignature and seals:\u003c\/strong\u003e No signature or seal is visible within the photographed image field\u003cbr data-end=\"3588\" data-start=\"3585\"\u003e\u003cstrong data-end=\"3609\" data-start=\"3588\"\u003ePainting support:\u003c\/strong\u003e Appears to be silk\u003cbr data-end=\"3631\" data-start=\"3628\"\u003e\u003cstrong data-end=\"3645\" data-start=\"3631\"\u003eTechnique:\u003c\/strong\u003e Ink, color and metallic pigments on silk\u003cbr data-end=\"3689\" data-start=\"3686\"\u003e\u003cstrong data-end=\"3702\" data-start=\"3689\"\u003eMounting:\u003c\/strong\u003e Formal silk damask and gold-brocade hanging-scroll mounting\u003cbr data-end=\"3765\" data-start=\"3762\"\u003e\u003cstrong data-end=\"3777\" data-start=\"3765\"\u003eStorage:\u003c\/strong\u003e Accompanied by an old fitted wooden scroll box\u003cbr data-end=\"3827\" data-start=\"3824\"\u003e\u003cstrong data-end=\"3838\" data-start=\"3827\"\u003eOrigin:\u003c\/strong\u003e Japan\u003c\/p\u003e\n\u003ch2 data-end=\"3883\" data-start=\"3846\" data-section-id=\"kelfn0\"\u003eShaka Nyorai and the Central Triad\u003c\/h2\u003e\n\u003cp data-end=\"3955\" data-start=\"3885\"\u003eShaka Nyorai appears seated in meditation upon an immense green lotus.\u003c\/p\u003e\n\u003cp data-end=\"4295\" data-start=\"3957\"\u003eHis right hand is raised in a gesture of teaching or reassurance, while the left rests near the lap. A restrained red monastic robe folds around the body, leaving the metallic surface of the chest and hands visible. A small red mark appears at the forehead, while elongated earlobes and the dark blue ushnisha identify his awakened state.\u003c\/p\u003e\n\u003cp data-end=\"4456\" data-start=\"4297\"\u003eThree broad halo systems rise behind the Buddha. Their softly modulated rings create a sense of celestial depth without overpowering the delicately drawn face.\u003c\/p\u003e\n\u003cp data-end=\"4720\" data-start=\"4458\"\u003eTwo crowned bodhisattvas sit beneath the central Buddha on separate lotus thrones. Within the traditional Shaka triad format, they are associated with \u003cstrong data-end=\"4626\" data-start=\"4609\"\u003eMonju Bosatsu\u003c\/strong\u003e, the bodhisattva of wisdom, and \u003cstrong data-end=\"4676\" data-start=\"4659\"\u003eFugen Bosatsu\u003c\/strong\u003e, the bodhisattva of compassionate practice.\u003c\/p\u003e\n\u003cp data-end=\"4930\" data-start=\"4722\"\u003eThe lion and white elephant appearing within the lower assembly reinforce this pairing. The lion is traditionally connected with Monju, while the six-tusked white elephant is the established vehicle of Fugen.\u003c\/p\u003e\n\u003cp data-end=\"5146\" data-start=\"4932\"\u003eMuseum examples identify Shaka, Monju and Fugen as the central triad in this devotional format, surrounded by sixteen divine protectors of the Great Perfection of Wisdom Sutra. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"5181\" data-start=\"5148\" data-section-id=\"1m3k7k1\"\u003eThe Sixteen Benevolent Deities\u003c\/h2\u003e\n\u003cp data-end=\"5276\" data-start=\"5183\"\u003eThe \u003cstrong data-end=\"5205\" data-start=\"5187\"\u003eJūroku Zenshin\u003c\/strong\u003e, or Sixteen Benevolent Deities, are protectors of the \u003cem data-end=\"5275\" data-start=\"5260\"\u003eDaihannya-kyō\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-end=\"5542\" data-start=\"5278\"\u003eThey are represented here as an extraordinary company of armored guardians, warrior kings, celestial beings and fierce supernatural figures. Their swords, staffs, spears, ritual implements and forceful expressions symbolize the active defense of Buddhist teaching.\u003c\/p\u003e\n\u003cp data-end=\"5854\" data-start=\"5544\"\u003eThe figures are not rendered as repetitive attendants. Each possesses an individualized face, posture and costume. Several wear elaborate crowns or helmets, while others display red, blue, green or pale complexions. Some appear youthful and courtly; others are physically powerful, bearded or visibly wrathful.\u003c\/p\u003e\n\u003cp data-end=\"6125\" data-start=\"5856\"\u003eThis contrast between the Buddha’s stillness and the guardians’ dramatic movement is central to the composition. Shaka embodies awakened wisdom, while the surrounding deities represent the energy required to preserve and transmit that wisdom through an imperfect world.\u003c\/p\u003e\n\u003cp data-end=\"6395\" data-start=\"6127\"\u003eThe Sixteen Benevolent Deities were traditionally invoked as guardians of the Great Perfection of Wisdom Sutra, and paintings of this assembly were displayed during ceremonial recitations or rapid ritual readings of the scripture. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"6425\" data-start=\"6397\" data-section-id=\"4a6z36\"\u003eXuanzang and Jinja Daishō\u003c\/h2\u003e\n\u003cp data-end=\"6538\" data-start=\"6427\"\u003eThe lower register includes two especially important figures connected with the transmission of Buddhist texts.\u003c\/p\u003e\n\u003cp data-end=\"6761\" data-start=\"6540\"\u003eThe robed monk is \u003cstrong data-end=\"6570\" data-start=\"6558\"\u003eXuanzang\u003c\/strong\u003e, known in Japan as Genjō Sanzō. He traveled from China to India and became one of the most influential translators of Buddhist scripture, including the vast Great Perfection of Wisdom Sutra.\u003c\/p\u003e\n\u003cp data-end=\"6904\" data-start=\"6763\"\u003eOpposite him appears \u003cstrong data-end=\"6800\" data-start=\"6784\"\u003eJinja Daishō\u003c\/strong\u003e, the fierce Great General of the Desert who was believed to have protected Xuanzang during his journey.\u003c\/p\u003e\n\u003cp data-end=\"7138\" data-start=\"6906\"\u003eIn traditional representations, Jinja Daishō may be recognized by his red body and the unusual human or child-like face appearing upon his abdomen. That remarkable identifying feature can be seen in the lower portion of this scroll.\u003c\/p\u003e\n\u003cp data-end=\"7409\" data-start=\"7140\"\u003eThe inclusion of Xuanzang and Jinja Daishō expands the painting beyond a simple divine assembly. It also commemorates the physical journey by which Buddhist teaching crossed deserts, borders and languages before reaching East Asia. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"7458\" data-start=\"7411\" data-section-id=\"25jv1w\"\u003eSacred Canopy, Lotus and Celestial Landscape\u003c\/h2\u003e\n\u003cp data-end=\"7499\" data-start=\"7460\"\u003eA suspended canopy crowns the assembly.\u003c\/p\u003e\n\u003cp data-end=\"7757\" data-start=\"7501\"\u003eIts central peony blossoms evoke abundance and spiritual nobility, while the flaming jewel above represents the illuminating power of Buddhist teaching. Long purple tassels descend from the canopy, giving the upper register the formality of a temple altar.\u003c\/p\u003e\n\u003cp data-end=\"7938\" data-start=\"7759\"\u003ePink and white clouds open around the sacred assembly. Their flowing outlines separate the celestial figures from the earthly world while framing the Buddha without confining him.\u003c\/p\u003e\n\u003cp data-end=\"8250\" data-start=\"7940\"\u003eThe immense lotus below Shaka remains one of the composition’s strongest visual anchors. In Buddhist art, the lotus signifies awakened purity arising from the conditions of ordinary existence. Here, its tightly layered green petals provide a stable center beneath the Buddha and the two attendant bodhisattvas.\u003c\/p\u003e\n\u003ch2 data-end=\"8294\" data-start=\"8252\" data-section-id=\"ycim8n\"\u003ePainting Style and Decorative Technique\u003c\/h2\u003e\n\u003cp data-end=\"8407\" data-start=\"8296\"\u003eThe painting combines disciplined Buddhist iconography with an unusually animated late-period decorative style.\u003c\/p\u003e\n\u003cp data-end=\"8709\" data-start=\"8409\"\u003eFine linear outlines define the faces, garments and weapons. Color has been applied in controlled planes of vermilion, blue, green, violet, brown, pale pink, white and gold. Metallic surfaces enrich the skin of the Buddha and bodhisattvas, as well as selected crowns, ornaments and ritual implements.\u003c\/p\u003e\n\u003cp data-end=\"8969\" data-start=\"8711\"\u003eThe overlapping figures are arranged with careful spatial economy. Rather than reducing the scale of the protectors to create open space, the painter allowed their bodies and attributes to intersect, creating the feeling of a dense supernatural congregation.\u003c\/p\u003e\n\u003cp data-end=\"9195\" data-start=\"8971\"\u003eThe black lower ground is decorated with a repeated geometric lattice and small floral devices. This gives the lower figures a jewel-like backdrop while visually separating them from the clouds surrounding the central triad.\u003c\/p\u003e\n\u003cp data-end=\"9489\" data-start=\"9197\"\u003eThe artist’s technique appears rooted in traditional temple painting rather than modern decorative reproduction. The individual brush-drawn faces, varied pigment surfaces, metallic passages, aged silk and cumulative creasing are consistent with a genuinely old hand-painted devotional object.\u003c\/p\u003e\n\u003ch2 data-end=\"9517\" data-start=\"9491\" data-section-id=\"hpasq7\"\u003eFormal Brocade Mounting\u003c\/h2\u003e\n\u003cp data-end=\"9599\" data-start=\"9519\"\u003eThe painting is mounted within an impressive formal Buddhist scroll arrangement.\u003c\/p\u003e\n\u003cp data-end=\"9779\" data-start=\"9601\"\u003eA broad field of turquoise-blue silk damask surrounds the image. The woven fabric carries a repeating floral and scrolling-vine pattern that becomes visible as the light changes.\u003c\/p\u003e\n\u003cp data-end=\"9971\" data-start=\"9781\"\u003eDark indigo brocade with gold floral and geometric ornament frames the painting at the top, bottom and sides. A narrow red brocade band above the image introduces a strong ceremonial accent.\u003c\/p\u003e\n\u003cp data-end=\"10166\" data-start=\"9973\"\u003eTwo long brocade \u003cstrong data-end=\"9999\" data-start=\"9990\"\u003efūtai\u003c\/strong\u003e streamers descend from the upper edge. These decorative strips are associated with formal hanging-scroll presentation and add further vertical rhythm to the mounting.\u003c\/p\u003e\n\u003cp data-end=\"10302\" data-start=\"10168\"\u003eMetal corner protectors remain attached along the upper edge. The lower roller, wooden end fittings and hanging cord are also present.\u003c\/p\u003e\n\u003cp data-end=\"10549\" data-start=\"10304\"\u003eThe reverse shows a dark backing textile with areas of age-related wear and historic reinforcement. The scroll is accompanied by a fitted wooden storage box with a sliding lid. The box is uninscribed and shows natural surface wear from long use.\u003c\/p\u003e\n\u003ch2 data-end=\"10571\" data-start=\"10551\" data-section-id=\"17i18hi\"\u003ePeriod Assessment\u003c\/h2\u003e\n\u003cp data-end=\"10712\" data-start=\"10573\"\u003eThe painting appears most consistent with a \u003cstrong data-end=\"10711\" data-start=\"10617\"\u003e19th-century Japanese temple work, probably dating from the late Edo to early Meiji period\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"11034\" data-start=\"10714\"\u003eThe orthodox iconographic arrangement, delicately individualized guardian figures, bright but controlled mineral palette, metallic sacred bodies and formal brocade mounting all support this period range. The extensive structural creasing, textile aging, backing wear and old storage box further indicate substantial age.\u003c\/p\u003e\n\u003cp data-end=\"11423\" data-start=\"11036\"\u003eComparable documented versions of this subject continued to be painted during the late Edo period. A particularly relevant temple-held example is dated 1828 and is similarly described as a meticulously painted color-on-silk work following an older medieval model. Other institutional collections record 19th-century examples of the same composition. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"11467\" data-start=\"11425\"\u003eThe scroll may therefore be catalogued as:\u003c\/p\u003e\n\u003cp data-end=\"11590\" data-start=\"11469\"\u003e\u003cstrong data-end=\"11590\" data-start=\"11469\"\u003eLikely late Edo to early Meiji period, 19th century, painted in the traditional Japanese Buddhist temple-art lineage.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"11734\" data-start=\"11592\"\u003eThe attribution is stylistic rather than documentary because no dated inscription, artist signature or identifying box inscription is visible.\u003c\/p\u003e\n\u003ch2 data-end=\"11748\" data-start=\"11736\" data-section-id=\"hrykuu\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-end=\"11920\" data-start=\"11750\"\u003eAntique condition with extensive age-related wear consistent with a devotional scroll that appears to have been repeatedly rolled, displayed and stored over many decades.\u003c\/p\u003e\n\u003cp data-end=\"12143\" data-start=\"11922\"\u003eThe central painting displays numerous horizontal creases and fold lines across the silk. Some creases pass through the halos, robes and lower figure groups. There is additional vertical creasing through the central axis.\u003c\/p\u003e\n\u003cp data-end=\"12388\" data-start=\"12145\"\u003eScattered staining, darkened spots, abrasions and small areas of pigment disturbance are visible, particularly within the pale upper background and around the central halo. Minor losses and weakened areas appear along several old crease lines.\u003c\/p\u003e\n\u003cp data-end=\"12602\" data-start=\"12390\"\u003eThe metallic surfaces show natural variation, patination and localized wear. The colors remain remarkably vivid overall, with the complex identities and expressions of the principal figures still clearly legible.\u003c\/p\u003e\n\u003cp data-end=\"12829\" data-start=\"12604\"\u003eThe turquoise silk mounting displays fading, discoloration, creasing, scattered marks and areas of textile wear. The brocade borders and hanging strips retain strong ornament but show age-related distortion and handling wear.\u003c\/p\u003e\n\u003cp data-end=\"13039\" data-start=\"12831\"\u003eThe reverse backing has tears, exposed areas, old repairs and material loss, especially near the upper roller and hanging-cord area. The hanging cord is aged. The roller and wooden fittings show surface wear.\u003c\/p\u003e\n\u003cp data-end=\"13127\" data-start=\"13041\"\u003eThe wooden storage box has scratches, stains, edge wear and age-related discoloration.\u003c\/p\u003e\n\u003cp data-end=\"13369\" data-start=\"13129\"\u003eDespite its condition, the scroll remains visually impressive and displayable. Its historic wear forms part of the character of an authentic devotional object, although careful handling and protected indoor display are strongly recommended.\u003c\/p\u003e\n\u003ch2 data-end=\"13384\" data-start=\"13371\" data-section-id=\"7q4hfq\"\u003eDimensions\u003c\/h2\u003e\n\u003cp data-end=\"13492\" data-start=\"13386\"\u003e\u003cstrong data-end=\"13405\" data-start=\"13386\"\u003eOverall scroll:\u003c\/strong\u003e approximately 175 × 63 cm\u003cbr data-end=\"13434\" data-start=\"13431\"\u003e\u003cstrong data-end=\"13463\" data-start=\"13434\"\u003eOverall scroll in inches:\u003c\/strong\u003e approximately 68.9 × 24.8 in\u003c\/p\u003e\n\u003cp data-end=\"13610\" data-start=\"13494\"\u003e\u003cstrong data-end=\"13517\" data-start=\"13494\"\u003eMain painted image:\u003c\/strong\u003e approximately 105 × 46.5 cm\u003cbr data-end=\"13548\" data-start=\"13545\"\u003e\u003cstrong data-end=\"13581\" data-start=\"13548\"\u003eMain painted image in inches:\u003c\/strong\u003e approximately 41.3 × 18.3 in\u003c\/p\u003e\n\u003cp data-end=\"13706\" data-start=\"13612\"\u003eMeasurements are approximate and may vary slightly depending on how the textile is positioned.\u003c\/p\u003e\n\u003ch2 data-end=\"13740\" data-start=\"13708\" data-section-id=\"zbt2bn\"\u003eDisplay and Collecting Appeal\u003c\/h2\u003e\n\u003cp data-end=\"13899\" data-start=\"13742\"\u003eAt nearly 175 cm tall, this is a substantial architectural scroll capable of commanding an entire wall, tokonoma alcove, meditation space or private gallery.\u003c\/p\u003e\n\u003cp data-end=\"14188\" data-start=\"13901\"\u003eIts vertical proportions work especially well in interiors with exposed timber, plaster walls, subdued lighting or natural materials. The turquoise damask contributes an unusual color presence, while the dark brocade frame gives the central painting the visual gravity of a temple altar.\u003c\/p\u003e\n\u003cp data-end=\"14549\" data-start=\"14190\"\u003eFor Buddhist-art collectors, the principal attraction lies in the unusually complete and densely populated iconographic program. This is not simply an image of Shaka. It presents a complete ritual world encompassing the Buddha, attendant bodhisattvas, scripture guardians, legendary transmitters, sacred animals, clouds, lotus thrones and ceremonial ornament.\u003c\/p\u003e\n\u003cp data-end=\"14610\" data-start=\"14551\"\u003eIt also offers strong crossover interest for collectors of:\u003c\/p\u003e\n\u003cul data-end=\"14899\" data-start=\"14612\"\u003e\n\u003cli data-end=\"14640\" data-start=\"14612\" data-section-id=\"1sitet8\"\u003eJapanese Buddhist painting\u003c\/li\u003e\n\u003cli data-end=\"14677\" data-start=\"14641\" data-section-id=\"zva2l1\"\u003eEdo and Meiji-period religious art\u003c\/li\u003e\n\u003cli data-end=\"14708\" data-start=\"14678\" data-section-id=\"1h6i3us\"\u003eTemple and monastery objects\u003c\/li\u003e\n\u003cli data-end=\"14732\" data-start=\"14709\" data-section-id=\"1606e5k\"\u003eAntique silk textiles\u003c\/li\u003e\n\u003cli data-end=\"14756\" data-start=\"14733\" data-section-id=\"ttgdq5\"\u003eKakejiku and kakemono\u003c\/li\u003e\n\u003cli data-end=\"14791\" data-start=\"14757\" data-section-id=\"ff182b\"\u003eGuardian and warrior iconography\u003c\/li\u003e\n\u003cli data-end=\"14824\" data-start=\"14792\" data-section-id=\"bj6z16\"\u003eXuanzang and Silk Road imagery\u003c\/li\u003e\n\u003cli data-end=\"14865\" data-start=\"14825\" data-section-id=\"1b941y4\"\u003eJapanese interior and tokonoma display\u003c\/li\u003e\n\u003cli data-end=\"14899\" data-start=\"14866\" data-section-id=\"29mgr\"\u003eAsian sacred and devotional art\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"15186\" data-start=\"14901\"\u003eThe multitude of individually painted figures gives the work a narrative density rarely encountered in ordinary decorative scrolls. From a distance, it reads as a balanced sacred assembly. At close range, it unfolds into dozens of expressive faces, ritual objects and symbolic details.\u003c\/p\u003e\n\u003ch2 data-end=\"15219\" data-start=\"15188\" data-section-id=\"13qrwjb\"\u003eShipping and Purchase Policy\u003c\/h2\u003e\n\u003cp data-end=\"15306\" data-start=\"15221\"\u003eThis antique Buddhist hanging scroll is offered in its photographed, as-is condition.\u003c\/p\u003e\n\u003cp data-end=\"15553\" data-start=\"15308\"\u003ePlease examine the images and condition description carefully before purchasing. Age-related creasing, wear, staining, textile deterioration, old repairs and surface changes are integral to the object and have been reflected in its presentation.\u003c\/p\u003e\n\u003cp data-end=\"15716\" data-start=\"15555\"\u003eDue to the delicate and antique nature of the scroll, all sales are final. Returns, exchanges, cancellations and post-delivery condition claims are not accepted.\u003c\/p\u003e\n\u003cp data-end=\"15923\" data-start=\"15718\"\u003eThe scroll will be carefully rolled around its existing roller, protected with archival-safe intermediate wrapping where practical, placed inside its wooden box and packed within a reinforced outer carton.\u003c\/p\u003e\n\u003cp data-end=\"16081\" data-start=\"15925\"\u003eWorldwide tracked shipping is available from Japan by EMS or another suitable insured service. Preparation for dispatch normally requires 3–5 business days.\u003c\/p\u003e\n\u003cp data-end=\"16199\" data-start=\"16083\"\u003eImport duties, customs taxes, brokerage fees and destination-country charges remain the responsibility of the buyer.\u003c\/p\u003e\n\u003cp data-end=\"16288\" data-start=\"16201\"\u003eReasonable offers may be considered. Some prices are flexible while others remain firm.\u003c\/p\u003e\n\u003cp data-end=\"16775\" data-start=\"16304\"\u003e#JapaneseBuddhistArt #BuddhistScroll #ShakaNyorai #ShakyamuniBuddha #SixteenBenevolentDeities #JurokuZenshin #JapaneseHangingScroll #Kakejiku #Kakemono #EdoPeriodArt #MeijiPeriodArt #AntiqueJapaneseArt #BuddhaPainting #TempleArt #BuddhistPainting #SacredArt #JapaneseSilkPainting #Xuanzang #JinjaDaisho #GuardianDeities #MonjuBosatsu #FugenBosatsu #BuddhistProtector #AsianAntiques #JapaneseAntiques #TokonomaArt #MeditationRoom #ZenInterior #ReligiousAntiques #Japonista\u003c\/p\u003e\n\u003cp data-end=\"17044\" data-start=\"16799\"\u003eshaka buddha scroll, sixteen deities, buddhist wall art, japanese kakejiku, edo buddhist art, meiji scroll art, antique buddha art, temple hanging art, silk scroll painting, juroku zenshin, buddhist protector, japanese sacred art, zen room decor\u003c\/p\u003e\n\u003ch3 data-end=\"17063\" data-start=\"17046\" data-section-id=\"19cou3w\"\u003eMaterial Tags\u003c\/h3\u003e\n\u003cp data-end=\"17282\" data-start=\"17065\"\u003esilk, painted silk, mineral pigments, metallic pigments, ink, gold-toned pigment, silk damask, brocade silk, textile backing, wood roller, wooden fittings, metal corner fittings, woven hanging cord, wooden storage box\u003c\/p\u003e","brand":"Rare Vintage, Antiques and Art Collector \/ Curator \/ Personal Shopper From Japan","offers":[{"title":"Default Title","offer_id":52892191129893,"sku":null,"price":3750.0,"currency_code":"USD","in_stock":true}],"url":"https:\/\/japonista.com\/products\/antique-japanese-buddhist-hanging-scroll-shaka-triad-sixteen-benevolent-deities-late-edo-early-meiji-kakejiku-with-box","provider":"Japonista","version":"1.0","type":"link"}