Kintsugi

Definition

The method is close to maki-e: lacquer joins the pieces and fills losses, and metal powder is applied to the visible seam. The result is a line of gold, silver or platinum running where the break was. Kintsugi is closely associated with ceramics for chanoyu, the tea ceremony, and it was applied to wares from outside Japan, including China, Vietnam and Korea.

Origin

One theory holds that kintsugi began when the shogun Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repair in the late 15th century, and it returned held together with metal staples, prompting Japanese craftsmen to find a better-looking method. Another view: the stapled bowl itself, named bakōhan for its large staples like a locust, was admired as beauty in broken things. Collectors grew so fond of the art that some were accused of breaking valuable pottery deliberately to have it repaired. In philosophy, kintsugi sits close to wabi-sabi, the acceptance of the flawed and imperfect, and to the Japanese valuing of the marks of use.

Key facts

How to identify it

  • The seam. A raised or flush metallic line following the break.
  • Lacquer or glue. In our handling, true lacquer repairs feel slightly warm and soft against the glaze; modern resin repairs with gold paint look flatter.
  • Fills. Larger losses may be rebuilt in lacquer and gilded as a patch.
  • Disclosure. We describe every repair, gold or not, in the condition notes.

Kinds of repair

Repairers distinguish three main kinds of kintsugi. In the crack method, gold dust and resin or lacquer attach broken pieces with little overlap or fill. In the piece method, where no replacement fragment is available, a missing part is built up entirely in gold or a gold and lacquer compound. In the joint-call method, yobitsugi, a fragment of similar shape from a different vessel replaces the missing piece, creating a patchwork. Kintsugi is distinct from staple repair, used in China, Europe and elsewhere, in which holes are drilled either side of a crack and metal staples bent to hold the pieces; the story of the stapled bowl sent back from China belongs to that tradition. In our handling, we record which kind of repair a piece has and where, because its extent matters as much as its beauty.

Where it appears in the collection

Repaired tea wares appear among the ceramics on the Japanese arts and antiques shelf. Our guide to kintsugi goes further, and our guide to karamono covers the Chinese bowls that were often mended this way.

Related entries

  • Tenmoku: the Chinese tea bowl Japan prized
  • Boro: mending made visible, in cloth

Sources

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