Reign mark

Definition

A reign mark uses the era name of an emperor, which from the Ming dynasty onwards was one name for each reign: the Hongwu Emperor began the system of one era name per monarch, which is why Ming and Qing emperors are usually known by their era names, such as Yongle, Xuande, Kangxi or Qianlong.

Origin

Imperial porcelain was made at Jingdezhen in Jiangxi, where the imperial kiln factory was established in 1369; it produced only for the court, and defective pieces were destroyed on site. Chinese taste revered the past, and later wares often borrowed the forms, decoration and marks of earlier reigns, producing waves of revival, imitation and outright fakery, the three often hard to tell apart. Marks continued into the 20th century: after Yuan Shikai's short-lived empire, porcelain made in the 1920s and 1930s often carried his Hongxian reign mark.

Jingdezhen

Most marked imperial porcelain was made at Jingdezhen, which may have made pottery as early as the sixth century and takes its name from the era name of Emperor Zhenzong, Jingde, in whose reign, around 1004, it became a major kiln site. By the 14th century it was the largest centre of Chinese porcelain production. It lies close to the best deposits of porcelain stone and is surrounded by pine forests that fuelled the kilns. From the Ming dynasty its official kilns were controlled by the emperor and made imperial porcelain in large quantities for the court and for gifts. In our reading, this concentration is why imperial marks were so valuable to copy.

Key facts

How to read one

  • A mark is a claim. In our handling, an earlier reign mark on a later piece is common, and often honest in intent, as homage.
  • Read the piece first. Body, glaze, decoration and making tell the date; the mark comes last.
  • Style of writing. In our reading, the calligraphy and its placing are worth comparing with documented marks of the same reign.
  • Our titles. We write "with a Qianlong mark", never "Qianlong", unless the piece itself supports it.

Where it appears in the collection

A quatrefoil censer with a Qianlong mark is one example, on the Asian antiques shelf. Our guide to karamono explains how we describe attribution.

Related entries

  • Sometsuke: blue and white, where many marks appear
  • Celadon: the green ware that preceded blue and white
  • Gilt bronze: metalwork that also carries marks

Sources

Back to blog

Leave a comment

Please note, comments need to be approved before they are published.